French singer-songwriter Florent Marchet grew up in a theatre in Berry, becoming a pianist and exploring classical, jazz and folk before forging a distinctive path in chanson and pop. Since Gargilesse he has established himself as one of France’s most inventive songwriters, creating memorable projects such as Rio Baril and Frère Animal. Mobil Home pursues a nomadic, luminous yet uneasy sound. On stage he adopts a storyteller’s stance, supported by a close, attentive ensemble.
Entrañas is a visceral object-theatre piece by El Patio Teatro that explores the human body through a poetic collection of rare, strange and wondrous objects. Conceived and directed by El Patio Teatro and performed by Izaskun Fernández and Julián Sáenz López, the show blends scientific knowledge and imaginative fantasy to reveal the anatomy and mysteries of our inner life. A sensory, tactile and lyrical journey, it invites adults and older children to rediscover embodiment and existence.
In French.
Yacine Belhousse returns with « 2026 », a new show that blends absurd humour and poetry, drawn from an eventful year. Known to wide audiences through the Jamel Comedy Club, Bref and Golden Moustache, he offers an elegant, offbeat perspective on everyday life, weaving Anglo‑Saxon references and unexpected digressions. The staging balances stand-up rhythm with theatrical, lyrical moments, inviting laughter and reflection across sharp timing and gentle absurdity.
In French.
At the crossroads of theatre, mixed reality and technological installation, this immersive performance invites audiences to test the machine built by a scientist to tackle existential problems. Wearing mixed-reality headsets, spectators collectively explore the chaotic inner world of a person trapped by indecision. The experience moves between human vulnerability and artificial intelligence, until the machine itself begins to falter in the face of what it cannot fully understand.
Directed by Guy Cassiers and starring Valérie Dréville, this stage adaptation of Camille de Toledo’s novel blends documentary and fiction. Through photographs, letters and manuscripts, the performance traces a family’s history across generations as a man seeks rebirth amid loss. The staging mixes intimate memory, myth and collective history with a restrained visual language and careful dramaturgy, inviting a delicate, atmospheric encounter with grief, identity and transmission.
In French.
L’homme oreiller is a poetic, physical theatre piece that explores sleep, memory and intimacy through fragmented scenes and inventive stagecraft. The performance blends subtle movement, atmospheric soundscapes and minimalist design to evoke shifting states between wakefulness and dream. The ensemble cultivates a fragile, tactile atmosphere where gestures accumulate meaning and silence speaks as loudly as action. The result is a meditative, emotionally resonant experience that lingers beyond the lights.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
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