Part of a special Bach series, this presentation of the Christmas Oratorio focuses on cantatas 1, 3, 5 and 6, bringing out the work’s radiance, fervour and power. Soloists Werner Güra (Evangelist), Rachel Redmond (soprano), Charles Sudan (alto) and Stephan MacLeod (bass) are joined by Gli Angeli Genève under the direction of Stephan MacLeod, offering a finely detailed, expressive reading that balances choral grandeur with intimate vocal writing.
A theatrical, musical and visual voyage into the heart of the Mediterranean, Poésidonia brings together forty actors, singers and musicians in a vibrant chorus. Their stories speak of solidarity, exile, hope and resistance, carried by poetry, music and voices from across the world. Around the performance, concerts extend the encounter, while an exhibition of photographs and illustrations adds further visual perspectives.
In French.
Led by musical director Tovinho, Alceu Valença celebrates eight decades with a career-spanning concert blending Northeastern Brazilian rhythms—frevo, maracatu and cirandas—with contemporary arrangements. Backed by Cássio Cunha (drums), Zi Ferreira (guitar), Nando Barreto (bass), André Julião (accordion) and Costinha (flutes), and featuring guests Lui Coimbra (cello) and Natalia Mitre (percussion), the show pairs vibrant percussion and sunlit melodies with dreamlike projections by Rafael Todeschini, summoning carnival energy and intimate nostalgia across his repertoire.
FURTHER AFIELD
An award-winning comedy by Wole Soyinka, this staging follows Sidi, the village ‘jewel’, as she becomes the centre of a satirical clash between tradition and modernity. Director Yvette Stevens shapes a vibrant production that blends storytelling, music and dance, yoking sharp humour to ritual and spectacle. The opposing suitors—Lakunle, a westernised schoolteacher, and the wily chief Baroka—embody cultural tensions that the ensemble explores through lively choreography and precise comic timing.
In English.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Directed by Guy Cassiers and starring Valérie Dréville, this stage adaptation of Camille de Toledo’s novel blends documentary and fiction. Through photographs, letters and manuscripts, the performance traces a family’s history across generations as a man seeks rebirth amid loss. The staging mixes intimate memory, myth and collective history with a restrained visual language and careful dramaturgy, inviting a delicate, atmospheric encounter with grief, identity and transmission.
In French.
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