Unveiling of the work 𝘕𝘦́𝘰𝘱𝘩𝘺𝘵𝘦𝘴, which evolves throughout the exhibition. Invasive plants, a recurring motif in Jessica’s artistic research, form a theme that unfolds throughout the exhibition. For the artist, they embody the human perspective on what is considered good or bad in nature and, above all, reveal an entire aspect of the history of capitalist globalization.
On a triple bill by the Ballet Junior de Genève, three new works unfold: Yuval Pick’s Revoada, Émilie Leriche’s sad game and Sharon Eyal & Gai Behar’s Untitled Black. The company moves with collective intensity, shifting between taut physicality and lyrical surges. Pick teases singularity through vibrant movement, Leriche propels the dancers into precise, breathless lyricism, and Eyal/Behar impose a hypnotic, technically demanding finale. The evening is charged, communal and viscerally alive.
Performer David Castello-Lopes offers an intimate solo performance that blends music, storytelling and subtle stagecraft. Through delicate acoustic textures and spoken fragments, the show traces themes of memory, identity and belonging. Minimalist staging and nuanced lighting create a warm, close atmosphere in which moments of humour and melancholy unfold. The pace is meditative, inviting attentive listening and emotional presence as the artist shapes a poetic journey between sound and narrative.
In French.
Presented by Kemayah, this live set blends neo-soul warmth with world-music rhythms, weaving intimate vocal lines and resonant grooves. The performance favors close, tactile moments and expansive melodic currents, inviting listeners into a relaxed, summery soundscape. Subtle arrangements and rhythmic nuance shift mood between languid sweetness and rhythmic pulse, creating a convivial evening of layered textures and emotional clarity. The evening highlights the immediacy of live connection.
Directed by Françoise Courvoisier, Les Glycines is a new creation by the TAC ensemble that examines the theme of madness through comic and reflective lenses. Performers including Nicole Aubert, Loulou Morisod, Catherine Vaucher, Zamila Yunus, Patrice von Büren, Claude Morex and Daniel Mouchet use improvised confidences to weave reality and fantasy. The staging blends intimacy and humour, shaping a tailored theatrical work for this company. Produced by Les Amis – Le Chariot.
In French.
Frank Zappa’s opera “200 Motels” is showing in Switzerland for the first time. This dynamic musical-theatrical piece is brought to life by director Daniel Kramer and conductor Titus Engel, featuring an impressive and diverse cast, including Robin Adams, Brenda Rae, and legendary guitarist Mike Keneally. Known for his iconic rock career, Zappa presents an experimental and psychedelic work that blends opera, rock, and contemporary classical music. “200 Motels” offers a chaotic and extravagant journey across the United States, mirroring the wild lives of Zappa and the Mothers of Invention.
In English with French subtitles.
REQUIEM POUR DU POGNON is a musical comedy that unfolds as a blackly comic inheritance farce. After the death of wealthy entrepreneur Marcel, a large, fractious family gathers to read the will: a humiliated widow, a lovesick secretary, an avaricious mistress, a dull son, neurotic daughters and grasping cousins. Songs, ensemble numbers and moments of karaoke expose secrets, rivalries and petty betrayals, shifting between biting satire and tender absurdity while the stage pulses with chaotic, carnival-like energy.
In French.
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