5 – 6 March

Évidences Inconnues

Booking Required

Kurt Demey, a skilled mentalist, gently dismantles our trust in chance through a participatory experience where coincidences accumulate until they seem impossible. With quiet precision he constructs mental illusions in real time, inviting the audience to become the investigators at the heart of the performance. Each choice triggers a new clue and unexpected twist, leaving spectators with a lingering question about fate and control. An intimate, enigmatic show that asks viewers to embrace the inexplicable.

In French.

Place des Cinq-Continents 1,
1217 Meyrin

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Photo Credit: DR

25 July – 2 August

Dogfight – La Comédie Musicale

Performances

Scène Cæcilia

Dogfight is a musical set in 1960s America on the eve of young Marines’ departure for Vietnam. The plot follows Eddie Birdlace, whose cruel ‘dogfight’ gamble is upended when he meets Rose, an idealistic and sincere young woman. Over a single night, the production confronts themes of masculinity, violence and empathy, blending gritty social realism with moments of tenderness. Sparse staging and intimate musical numbers highlight a painful coming-of-age and the possibility of moral change.

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16 September – 28 January

Caustic Comedy Night

Performances

Caustic Comedy Club

Caustic Comedy Night gathers four stand-up comedians from Switzerland, France and Belgium in a tight, high-energy evening of observational and satirical humour. The show alternates rising talents and seasoned performers, combining sharp social commentary, playful anecdotes and improvised exchanges. Minimal staging keeps the focus on timing and delivery, creating an intimate atmosphere where rhythm and punchlines drive the experience. The programme favours quick, varied sets that sustain momentum and surprise.

In French.

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13 July – 16 August

Les Aubes 2026

Performances

Bains des Pâquis

Returning for its twentieth edition, Les Aubes brings softness and poetry to Geneva mornings. At dawn, intimate musical encounters offer delicate soundscapes that stir the senses, favouring close listening and subtle atmospheres. The programme highlights a variety of acoustic and experimental projects, from solo performances to chamber ensembles, each designed to awaken the city with refined timbres and attentive pacing. A gentle celebration of morning listening and communal presence.

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15 – 26 July

Faire Hamlet !

Performances

Théâtre de l'Orangerie

Directed by Valeria Bertolotto, Faire Hamlet! stages a company wrestling with performance and truth as rehearsals of Shakespeare’s prince unravel private tensions. Pierre Banderet, Dylan Poletti and an intergenerational ensemble confront doubt, jealousy and shifting identities while Angèle Colas provides artistic collaboration. Sound by Fred Jarabo, scenography by Fanny Courvoisier, lights by Alessandra Domingues and costumes by Eléonore Cassaigneau shape an intimate, unstable world where fiction bleeds into life.

In French.

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22 July – 16 August

The Wheel of Fortune

Performances

Théâtre de l'Orangerie

Two unexpected deities arrive by bicycle, guided by a capricious GPS, carrying a very serious object: the Wheel of Fortune. They need the audience—especially children—to spin the wheel and together invent a story about a child to whom nothing seems to go right. Misfortunes pile up, luck sticks to the sneakers and solutions must be imagined. A participatory musical tale where chance and imagination shape a different story each time.

In French. Kids ages 5 and up.

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Saturday 25 July, 21:00

Cocanha: Two Voices and Stringed Tambourines

Performances

Théâtre de l'Orangerie

Cocanha is a vocal and percussion duo rooted in Occitan traditional music, performed by Lila Fraysse and Caroline Dufau with sound by Sanz Grosclaude. Two voices and stringed tambourines weave hypnotic polyphonies while foot rhythms and struck textures animate archival songs. The performance blurs archive and living tradition: melodies shift, words reappear transformed, and the intimate pulse invites physical response, carrying ancient tunes into contemporary space.

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Évidences Inconnues