Bigflo & Oli present a raw, direct return to their rap roots with their fifth album Karma. The two brothers draw on a decade-plus of collaboration to deliver tightly crafted songs where sharp lyrics meet dense beats. The performance favours immediacy and emotional honesty, alternating charged, collective moments and intimate passages. Expect an intense, unifying stage experience that foregrounds vocal interplay, rhythmic drive and the duo’s frank, sincere delivery.
Chekhov’s Ivanov follows Nikolai Ivanov, a middling Russian landowner crushed by debt and by the slow decline of his wife, Anna Petrovna, who is dying of tuberculosis. Across four acts, his inertia curdles into melancholy and self-destruction, swinging between biting comedy and harrowing despair. Written in a ten-day burst in 1887, when Chekhov was only twenty-seven, the play crackles with youthful urgency as tragedy and humor intertwine.
Director–actor Jean-François Sivadier infuses this new staging with his distinctive theatrical energy, pairing veteran performers with fresh faces to reignite the play’s original heat. Echoing Gustav Mahler’s dictum that “tradition is not the worship of ashes, but the preservation of fire,” the production seeks to keep Chekhov’s raw, combustible spirit blazing on today’s stage.
In French. Ages 16 and up.
Conceived as a performed celebration, this participatory dance event invites audiences to learn two short, accessible choreographies led by Géraldine Chollet, Alice and Baptiste. The convivial atmosphere builds into a collective sharing led by a hundred companion dancers and animated by DJ MÂNAA. Presented by the Compagnie Melta, the project showcases Passedanse and contemporary choreographic creation, blending improvisation, community energy and staged composition to create an inclusive festive performance experience.
Trois femmes au bord de la crise de mère is a poignant theatrical exploration of motherhood, identity and frustration. Through intimate dialogues and heightened physicality, the piece balances sharp humour with moments of quiet intensity. Sparse staging and focused lighting carve out private spaces that reveal hidden desires and generational tensions. The ensemble’s interactions shift between satire and tenderness, inviting reflection on daily labor, emotional limits and the resilient bonds that hold family life together.
In French.
About the play
1942. France is under occupation. Seven friends gather to celebrate Sophie’s birthday—until two German officers are shot beneath their windows. Kaubach, a Nazi commander, forces the guests to make an unthinkable choice: to designate two hostages among themselves.
Thus begins a harrowing struggle for survival. By confronting the depths of human nature, the play invites us to question which side we would have chosen.
In French.
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.
In French.
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