MIKI writes, films and sings with a sharp, candid voice, crafting a hybrid pop that balances nervous energy and intimate detail. Her performance mixes absurd vignettes and tender moments, delivered with an ironic distance that keeps listeners off‑balance. She stages songs like short films, letting onstage gestures and lo-fi visuals punctuate the music. Revealed at Voix de Fête 2025, MIKI’s show feels immediate and unvarnished, alternating between playful chaos and fragile honesty.
Pianist Viva Sanchez Reinoso presents a solo programme that traces a lineage from J.S. Bach to Keith Jarrett, pairing Baroque polyphony with improvisatory piano language. Her original piece, Eclipse, folds repeating motifs, natural harmonics and subtle acoustic distortion into a hypnotic arc. The programme reflects careful studio work and intimate touch, with sensitive voicing and nuanced dynamics shaping shifting textures. Lighting and staging are understated, allowing the piano’s timbres and the pianist’s gestures to define an immersive, contemplative atmosphere.
Reuniting after roughly thirty years, Dazzling Killmen return with a fierce, uncompromising sound that blends pre/math rock, post-metal, hardcore-punk and jazz-core textures. Their intense, tightly wound compositions unfold with brute energy and intricate rhythms. The evening also features a specially curated DJ set by Passage de Disques (Bamba Triste and Fuxy Lady), weaving experimental grooves that complement the live assault and expand the night’s sonic palette.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
Star Thérapie is a wild, off-kilter musical comedy from the Chrysalide Academy company that turns celebrity worship into absurd obsession. On stage, the affable but unorthodox Professor Westley treats a parade of flamboyant patients whose fixations spiral into surreal, laugh-out-loud situations. The show blends catchy songs, physical comedy and fast-paced theatrical invention to create a delirious, high-energy evening that skewers fandom while celebrating performance and spectacle.
In French.
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