20 October – 6 May

Nouvelles d’Anticythère

Free

Ready to dive into the dark depths off the island of Antikythera to discover an ancient shipwreck? The exhibition Nouvelles d’Anticythère presents the research carried out between 2021 and 2025 by the Classical Archaeology Unit of the University of Geneva, in collaboration with the Greek Ministry of Culture. It examines the famous shipwreck discovered in 1900 — a major merchant vessel that sank in the 1st century BCE — and invites visitors to discover the site and understand why it remains a key subject for archaeological research across the Mediterranean.

10,
rue des Vieux-Grenadiers

Array

12 March – 8 May

Out of the Blue: Heidi Bjørgan & Kari Dyrdal

Art & Exhibits

Taste Contemporary

Out of the Blue brings together Norwegian ceramicist Heidi Bjørgan and textile artist Kari Dyrdal in a sustained dialogue between ceramics and woven textiles. Bjørgan reworks familiar jug and vessel archetypes until they appear melted or imploded, using multiple firings and distinctive glazes to expose cracks, shifts and unpredictable reactions. Dyrdal examines memory, pattern and structure through handwoven, hand‑dyed pieces that marry traditional craft with digital processes, yielding tactile and conceptual depth.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

Array

22 April – 3 May

Rien ne sert de courir

Art & Exhibits

Usine Kugler

With Rien ne sert de courir, Didier Merlin presents suspended images that hover between snapshot and staged tableau. His enigmatic figures appear trapped beneath glossy glass, frozen between appearance and disappearance.
Working in reverse glass painting since the 1990s, he builds images backward; since 2019 acrylic glass and drypoint engraving have expanded scale and sharpened his line. The exhibition combines painting, engraving and hybrid techniques to explore mediation, fragmented narrative and the porous boundary between intimacy, collective memory and imagined reality.

Array

20 February – 29 November

Simultanés

Art & Exhibits

Musée Ariana

Marie Ducaté presents Simultanés, an installation that transposes the spirit and traces of her studio into a theatre of objects. Combining ceramics, tracing paper, watercolor, textile and glass, the work sits at the intersection of pop culture and art history. The installation foregrounds a chromatic range from vivid colour to transparency and investigates the sensuality of materials, inviting close attention to texture, surface and the intimate relationships between form and materiality. Curated by Claire FitzGerald.

Array

13 March – 16 May

Christian Robert-Tissot: Infini

Art & Exhibits

Galerie lange+pult

Geneva-based artist Christian Robert-Tissot transforms everyday words, slogans and street expressions into bold visual artworks. By shifting these familiar phrases out of their usual context, he reveals their rhythms, ambiguities and hidden meanings, turning ordinary language into playful reflections on daily life.

Opening during the Nuit des Bains, Thursday 12 March, 18:00.

Array

18 February – 23 December

Nature never deceives us: Jean-Jacques Rousseau herbarium

Art & Exhibits

Jardin botanique

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

Array

26 March – 8 May

Natalia González Martín: Fruta y media tarde

Art & Exhibits

Galerie Sébastien Bertrand

Natalia González Martín presents eleven new oil paintings on panel that extend her sustained engagement with still life. Drawing on the visual language of Baroque and Counter-Reformation masters such as Juan Sánchez Cotán and Francisco Zurbarán, the works turn toward the ritual of sobremesa — the suspended time after a meal — and consider it as a gendered social space. Set against tenebrist backgrounds, plates, fruit, glasses and fragments of bodies emerge to reorient still life from display and possession toward duration, relation and the often-invisible labour of togetherness.

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Nouvelles d’Anticythère