Saturday 14 March, 21:00

Sur le temps

Performances

Le Pneu

Booking Required

Sur Le Temps brings together Ensemble Batida, a contemporary trio of percussionists (Alexandra Bellon, Anne Briset, Jeanne Larrouturou), and the vocal quartet Contre le Temps, whose female voices specialise in medieval repertoire. The programme juxtaposes organum with open improvisation, exploring the distance between a centuries‑old vocal practice and an intensified attention to the present. The first part presents organum; later the musicians engage in improvised encounters that blur historical and contemporary sound worlds.

The project is organised by Ensemble Vide, an interdisciplinary platform for contemporary music and artistic research.

Rue du Vélodrome 18,
1205 Genève

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3 March – 2 April

Le Tartuffe

Performances

Théâtre de Carouge

Molière’s Tartuffe tells the story of a slick con-man who hides behind ostentatious piety to worm his way into the wealthy Orgon household. Orgon, dazzled by Tartuffe’s sanctimonious rhetoric, defends him even as the impostor’s hypocrisy poisons family bonds and pushes the household toward ruin.

Director Jean Liermier underscores how, in Molière’s work, the female characters serve as the moral compass and spark of resistance, a beacon of hope against oppression. Staged on a stark, minimalist set that exposes the family’s rigid tensions—and featuring Gilles Privat as an unbending Orgon—this production highlights the play’s continuing resonance in a world beset by egotism, fanaticism, and conspiracy thinking. The central question remains timeless: will society keep falling for Tartuffe’s brand of seductive deceit?

In French. Ages 12 and up.

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6 – 15 March

Succès Reprise

Performances

Théâtre des Grottes

Succès Reprise is a sparkling vaudeville that blurs the line between theatrical comedy and the comedy of everyday life. A charming love triangle performed by a tight trio of actors unfolds through rapid-fire exchanges, physical gags and shifting misunderstandings. The staging favours bright pace and playful timing, delivering light-hearted warmth while revealing awkward human impulses and social foibles. The piece leaves a lingering smile and a sense of affectionate irony.

In French.

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6 – 15 March

Des milliers de Sankara

Performances

La julienne

As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.

In French.

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3 – 15 March

Music-Hall

Performances

Théâtre des Amis

Revived by director Ninon Fachard after the original staging by Véronique Ros de la Grange, this solo piece stars Jacques Michel with Caroline Gasser as the prompter. Lighting by Rinaldo Del Boca and music by Alain Lamarche carve intimate, shadowed spaces around a red sequined curtain. Makeup by Natalia Lepianka and costumes by Emilie Revel shape the fading glamour of a music‑hall star who soliloquises, recalls past glory and loss, and sings in playback—an inward plunge toward memory and survival.

In French.

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11 – 15 March

Nous ou le paradoxe du hérisson

Kids Performances

Théâtre du Loup

When we hear the word “family,” we often think of our own. But today, with so many different models, what truly defines a family?

In this playful, child-friendly performance, Muriel Imbach explores these questions through six whimsical characters — futuristic poets who reflect on chosen families, blended families, and the invisible bonds that connect us. A poetic journey into what it means to “make family” today.

In French. Kids ages 8 and up.

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Wednesday 11 March, 20:00

Harpsichord Recital – Hadrien Jourdan plays Bach

Performances

Harpsichordist Hadrien Jourdan offers an immersive reading of Bach’s Partitas BWV 826, 829 and 830 from the Clavier-Übung I. The programme highlights Bach’s mature synthesis of French, Italian and German styles—the gemischter Stil—where dance forms, preludes and character pieces unfold with rhetorical clarity. Jourdan’s articulation and pacing reveal both structural brilliance and quiet affect, while the music’s contrasts create intimate and expansive moments that refresh the spirit and invite deep listening to its emotional and expressive richness.

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Sur le temps