Thursday 4 June, 19:00

Nazanin Noori

MAH

Booking Required

Performed by Nazanin Noori and developed during a curatorial residency by Jade Meili Barget, this performance investigates presence, memory and the politics of gesture through a concentrated solo practice. The piece unfolds through attentive, tactile scores and restrained physicality, inviting close listening and embodied reflection. Lighting and sound sculpt shifting atmospheres that frame intimate gestures, while the work balances formal rigor with quiet emotional openness, leaving space for contemplation.

Rue Charles-GALLAND 2,
1206 Genève

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Photo Credit: DR

22 January – 9 May

Clifford Possum Tjapaltjarri: Master of the Western Desert

Art & Exhibits

Galerie Olivier Varenne

This exhibition pays tribute to Clifford Possum Tjapaltjarri, a seminal figure of Australian Aboriginal art and a pioneer of the Western Desert painting movement. Drawing on Dreaming stories and the ancestral landscapes of his Anmatyerre heritage, Possum translated traditional sand and body painting motifs into monumental canvases that intertwine myth, geography and memory. His richly patterned, large-scale works balance Indigenous cosmology with a striking sense of modern abstraction, affirming his lasting influence on global contemporary art.

Opening during the Nuit des Bains, Thursday 22 January, from 18:00.

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18 September 2025 – 12 February 2026

Residual Images of Forced Disappearance

Art & Exhibits

Uni Mail

Videos by Óscar Muñoz (Colombia) and Vindhya Buthpitiya (Sri Lanka)

The Alexei Jaccard Mural serves as a space for remembrance and contemplation on human rights and enforced disappearances. The inaugural exhibition, “Residual Images of Forced Disappearance,” delves into this theme with photographic works that highlight the fragility of memory while exposing absence and emptiness. These paradoxical and poetic images transform into areas of resistance against violence.

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5 – 15 February

LETTRE À MON DICTATEUR

Performances

POCHE /GVE

Directed by Geneviève Pasquier and performed by Vincent Babel, LETTRE À MON DICTATEUR stages Eugène’s cathartic gesture of writing to Nicolae Ceauşescu. The production blends intimate monologue with archival echoes, folding fragments of Pierre Omer’s Swing Revue into a jazz-tinged score that punctuates memory and revelation. The creative space favors spare tableaux, tactile sound textures and a nimble rhythm that offsets historical weight with mischievous warmth, transforming personal trauma into a tender, witty coming-of-age confession.

In French.

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4 – 22 February

Subtle Ballet of Nuances – Luis Marques

Art & Exhibits

Centre culturel du Manoir

Luis Marques, artist and architect, examines his intimate relationship with water through abstract landscapes and text-infused works. Using repeated line, handwritten fragments and layered marks, he constructs an introspective journey that invites contemplative immersion.
The pieces evoke both Lake Geneva and the Atlantic glimpsed from his native Portugal, drawing on the depth of blue and the moving surface of water. By integrating adolescent texts, Marques frames a gentle choreography where line becomes migration and memory is rendered as drawing.

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12 February – 1 March

Vertiges

Performances

La Parfumerie

At La Parfumerie, “VERTIGES” by Catherine Tinivella Aeschimann takes us to the base of the Eiger’s north face, where five tourists follow the climb of mountaineer Ueli Steck. Turning simple observation into an intense immersion, they experience the emotions of Steck and his partner. This piece, a blend of sports commentary and alpine storytelling, delves into our connection with achievement and performance, while also recalling the ghosts of the Eiger’s victims. Directed by Tamara Fischer, this show offers a communal and introspective experience.

In French.

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Thursday 12 February, 21:00

Sarcloret — Musical Lecture

Performances

Théâtre des Amis

Performed by Sarcloret, this musiquethéâtre piece blends song and spoken reflection to trace Bob Dylan’s imprint on quality Swiss French songwriting. The artist alternates original fragments and brief commentary, mapping motifs of lyricism, narrative voice and cultural exchange. Staging is kept spare to focus on vocal colour and textual resonance, crafting an intimate, inquisitive atmosphere that reframes familiar songs as living documents of influence.

In French.

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Nazanin Noori