This solo performance by Juan Pablo Cámara traces the contours of attention and encounter. Combining subtle gestures, spoken fragments and calibrated pauses, the piece unfolds as a durational portrait that navigates memory, presence and the politics of looking. The artist’s restrained physicality and keen listening create a charged atmosphere where small actions accumulate into emotional clarity. Presented within the ‘First impressions’ residency curated by Jade Meili Barget.
Zoe A. Keller and Batia Suter present a collaborative project that reframes the Eranos archives—about 3,000 archetypal images compiled by Olga Fröbe-Kapteyn and held at the Warburg Institute—as material for critical and photographic inquiry.
Taking the form of a critical essay and a photographic installation, the work questions and re-signifies these images, confronting their entanglement with universalist and violent ideologies. The artists propose the notion of the ‘anarchétype’ to reveal archetypal figures as unstable cultural constellations.
An extensive survey assembled from a long-standing research collection devoted to glass, this exhibition takes a contemporary look at a millennia-old material. Over two hundred glass and mixed-media works, including sculptural objects, design pieces and installations, testify to a transdisciplinary experimental spirit. Featuring artists such as Ettore Sottsass, Pierre Charpin, Betty Woodman, Bob Wilson, Giuseppe Penone, Jana Sterbak and James Lee Byars, the show examines materiality, technique and the porous boundaries between craft, design and contemporary art.
Opening : Thursday 23 April, 18:00
Guided Tours (in French)
A group of young street artists, led by Serval, present site-specific street-art interventions imagining a new façade. Through murals, stencils and large-scale painting they engage with references to Liotard and Serval, reworking historical echoes into a contemporary urban language. The works question collective memory and public identity, blending figuration and abstraction with ephemeral techniques and bold colour. The project reveals how a new generation reclaims architectural surfaces to propose civic narratives.
Round table 30th April in French.
Amour(s) is a production by Compagnie lesArts that delves into the various dimensions of love through testimonies, stories, and writings. Directed by Tony Romaniello, this collaborative creation combines documentary theater with performances by Laurent Baier, Christian Baumann, and Stella Giuliani. The set design is by Célia Zanghi, with lighting design and management by Yannis Marti.
In French.
The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.
Artist Jessica Decorvet investigates the landscape as an unstable concept where seeing implicates participation and representation transforms the world. The exhibition brings together drawings, textiles, ceramics and living plants to stage tensions between intense, almost vital wonder and cultural framing that distances the living.
Playing with scale from miniature objects to a monumental curtain, Decorvet unsettles assumptions: textiles become stained glass while ceramics verge on reliquary. The works evoke and question how perception and materiality shape our relation to place.
Opening: Tuesday 28 April, 18:00
Please adjust your criteria to see more results.
Culture, curated weekly.
Event removed from your CoolAgenda.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
