Wednesday 19 November, 20:00

Draga & Javel Cocoon

Performances

Alhambra

To kick off the Les Créatives festival, Alhambra hosts a concert featuring Draga, a musical project inspired by Monique Wittig’s “Les Guérillères,” alongside the Swiss group Cocon Javel. Draga, comprising Lucie Antunes, Anna Mouglalis, P.R2B, Théodora Delilez, and Narumi Herisson, delivers an energetic performance fusing activist rock, krautrock, analog electro, and post-punk. Cocon Javel, recognized for their intense and transformative music, blends electronic, experimental, pop, and rock styles, with their debut EP set for release in early 2025.

Rue de la Rôtisserie 10,
1204 Genève

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Photo Credit: Festival Les Créatives

18 – 30 November

Les Créatives Festival

Lectures & Workshops Performances

Multiple locations

The Festival Les Créatives, a multidisciplinary event in Geneva, highlights the artistic and intellectual works of women and gender minorities. The 21st edition features concerts, theater, exhibitions, and discussions on topics such as chosen families and friendships. Notable participants include Hélène Giannecchini, Sophie Lewis, and Chloé Delaume. The festival reaffirms its commitment to combatting gender-based violence, working with the Canton and City of Geneva on local awareness campaigns.

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18 – 23 November

Un Volcan silencieux

Performances

Théâtre du Loup

In Un volcan silencieux, sociologist and director Diane Muller reconnects with ten former classmates from Dijon, all born in 1979. Through open interviews, she explores how gender, class, and societal expectations have shaped their lives — from romantic ideals to motherhood and solitude. On stage, their voices are transmitted live, creating a powerful, intimate portrait of a generation.

Co-produced with the Les Créatives festival, the piece blends sociology and theatre to map the invisible lines of social determinism.

In French.

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Wednesday 19 November, 14:00 & 17:30

Bachibouzouk

Kids Performances

La Maison des Compagnies

Who hasn’t, as a child, woken up in the middle of the night, disoriented, surrounded by mysterious shapes that might be monsters—or maybe friends? “Bachibouzouk”, by the Philippe Saire Company, brings that in-between world to life, blending dance and object theatre in a poetic, twilight performance where imagination takes over once the lights go out.

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Wednesday 19 November, 19:30

Benjamin Bernheim & Carrie-Ann Matheson

Performances

Victoria Hall

Renowned tenor Benjamin Bernheim, accompanied on piano by Carrie-Ann Mathseson, will perform in the prestigious series Les Grands Interprètes. The program features works by Bizet, Duparc, Chausson, Tchaikovsky, Puccini, Massenet, Kosma, Trenet, and Brel. Audiences can look forward to famous excerpts such as “Je crois entendre encore” from The Pearl Fishers, “La fleur que tu m’avais jetée” from Carmen, “Pourquoi me réveiller” from Werther, and “Les feuilles mortes.”

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18 November – 21 December

The Castafiore Emerald

Performances

Théâtre de Carouge

Back from the ashes like a mischievous phoenix, this stage adaptation of Hergé’s timeless comic hurls Bianca Castafiore’s shrill “Heavens, my jewels!” onto the boards and detonates a riotous, closed-door whodunnit inside the tranquil walls of Moulinsart: red herrings fly, misunderstandings snowball and Tintin’s entire gallery of eccentrics careen through a dazzling, hyper-faithful recreation of the album, where actors vanish into near-unrecognisable guises and the set itself crackles with playful theatrical sleight-of-hand—proof that some productions really do possess a magic, living soul of their own.

In French. Ages 7 and up.

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19 – 25 November

Imperial Ball – Boléro by Sidi Larbi Cherkaoui & Damien Jalet

Performances

Grand Théâtre

“Bal Impérial – Boléro” seamlessly blends an imperial waltz with Ravel’s mesmerizing Boléro. Created by Sidi Larbi Cherkaoui and Damien Jalet, this work delves into the social and political roots of dance. The first segment, “Bal Impérial,” marks the bicentennial of Johann Strauss by juxtaposing Viennese music with Japanese percussion, all set in an evocative stage design and costumes by Tim Yip. The second segment, “Boléro,” revisits the 2013 choreography, presenting an intense, visceral dance to Ravel’s dramatic crescendo, enriched by artistic influences from Marina Abramović.

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Draga & Javel Cocoon