The Sinfonietta Bern Ensemble performs the iconic soundtracks from Hayao Miyazaki’s animated masterpieces, composed by Joe Hisaishi, including pieces from “Howl’s Moving Castle,” “Nausicaä of the Valley of the Wind,” “Spirited Away,” and “My Neighbor Totoro.” This show promises a captivating musical journey, filled with emotion and vibrant colors, perfect for a family outing.
Compagnie Le Monde au Balcon.
Camille Broquet and Marion Pouvreau inject humor and modernity into Gustave Flaubert’s “Madame Bovary,” blending a faithful adherence to the original text with a contemporary perspective. They reimagine the fate of Emma Bovary, highlighting provincial ennui and marital dramas with wit and tenderness. This lively and intelligent performance breathes new life into a frequently misunderstood classic, demonstrating its ongoing relevance. The staging combines improvisation, voiceover, and absurd humor to engage the audience from start to finish. Written and performed by Broquet and Pouvreau, with direction by Edward Decesari.
In French. Ages 12 and up.
Théâtre Spirale presents “Memory of Fire” by Eduardo Galeano at La Parfumerie, a poetic and thought-provoking performance inspired by Latin American history. This show amplifies the voices of the voiceless through myths, legends, historical events, and stories. Directed by Patrick Mohr, the production weaves together text, music, and visuals, featuring a collaboration with versatile artists. On Fridays, the program is enhanced with Cuban music concerts.
“Master Class” takes us back to 1971, where Maria Callas shares her vocal insights and artistic ideals at the Juilliard School. Adapted by Pierre Laville and directed by Michel Favre, the play highlights the unwavering dedication and passion required to master the art of singing. Maria Mettral brings the legendary diva to life with remarkable depth and intensity, supported by Lorianne Cherpillod, Sarah Pagin, Erwan Fosset, and Nicolas Le Roy on piano.
A poetic and intimate performance that moves away from traditional circus spectacles focused on acrobatics. Blending elements of commedia dell’arte with the absurdity of Waiting for Godot, the show follows father and son, Danny and Pepijn, as they navigate memory, absence, and connection. Rich in music, clowning, and humor, the piece creates moments of grace and sensitivity, reflecting on tradition, relationships, and the world around them.
The Ensemble Les Illuminations continues its commitment to contemporary women composers with their concert Vera Vita Viva. Featuring a new work by Claire-Mélanie Sinnhuber for five instruments, the piece weaves together baroque timbres and contemporary colors, sacred and profane, tracing a musical thread from Élisabeth Jacquet de La Guerre to Kaija Saariaho, Ethel Smyth, and Sofia Goubaïdoulina, where memory and invention engage in a continuous dialogue.
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