The Spot Geneva presents Black Star (Talib Kweli and Yasiin Bey) at the Alhambra. This legendary conscious hip-hop duo celebrates three decades of collaboration with an intense and generous performance. Expect incisive lyrics, masterful flows, and raw energy, combining Yasiin Bey’s poetic and activist voice with Talib Kweli’s sharp wordplay. This concert promises to champion the values of authentic and committed hip-hop.
Choreographed by Belgian Piet Van Dycke, Beyond gathers six performers from dance, acrobatics and pole dance in a striking physical theatre exploring balance, risk and collective support. With unstable ladders and shifting footholds, the company sculpts moments of tension, lift and lyrical force, turning acrobatic feats into a poetic meditation on cooperation and human connection. The piece blends athleticism and tenderness, offering a visually bold yet intimate investigation of how bodies meet and build bridges above the void. Produced within Steps festival.
Performed by Camélia Acef and Youri Rebeko, La tête ailleurs is a light, comic musical about Norah, who can’t help hearing songs in her head whenever she tries to concentrate. The piece slides between Broadway-classic, funk, pop and tango, treating the intrusive melodies as a playful yet unsettling manifestation of the unconscious. The staging balances energetic numbers and intimate moments, probing memory and identity. The show was nominated at the 2025 Trophées de la Comédie Musicale (Best Book; Revelation Masculine for Youri Rebeko).
In French.
Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.
In French.
Françoise Boillat brings Antigone to life in an outdoor performance set against the backdrop of seven “remarkable trees” each month. This unique production weaves Antigone’s defiance of political authority with her devotion to the gods. The ancient trees stand as silent witnesses to the enduring human struggles between law, nature, and freedom.
In French.
Leonardo García Alarcón and his Cappella Mediterranea, in collaboration with the GTG Ballet, present the opera-dance Castor & Pollux by Jean-Philippe Rameau. Rarely performed in its 1737 version, the work delves into themes of brotherly love and sacrifice amidst a war between two peoples. The show features renowned baroque artists, including performances by Reinoud van Mechelen and Andreas Wolf. Dance is woven into the core of the dramaturgy, highlighting the emotional and musical depth of Rameau’s composition.
In French, with English subtitles.
Directed by Marie Wyler and adapted from Violaine Bérot’s novel, Comme des bêtes follows a man nicknamed “the Bear” whose difference unsettles a mountain village after a child is sighted near his cave. Performed by Marie Probst, Marie Ruchat, Alexandra Tiedemann and David Casada, the piece mixes elements of folk tale and detective narrative to probe mutual taming between humans and other forms of life. Giulia Muniz’s costumes, David Kretonic’s lighting and Rudy Deceliere’s sound design build a tense, mysterious atmosphere that questions the limits of rationality.
In French.
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