The Musée de Carouge showcases the city’s century-long relationship with cinema, highlighting iconic locations, pioneering figures like Alice Guy, local film productions, and the enduring Cinéma Bio, offering a vivid look at how Carouge has shaped and been shaped by the seventh art.
The exhibition is complemented by a diverse program of screenings, concerts, and workshops, allowing visitors to experience iconic films, explore Alice Guy’s world through music, and experiment with early animation techniques for a fully immersive journey into Carouge’s cinematic history and practice.
Guided Tours (in French):
Thursday 23 October and Thursday 20 November, 18:00 (registration required).
Ouch! by FanfareduLoup is a joyfully offbeat puppet concert where strangeness takes center stage. On stage, musicians and puppets inspire, imitate, and intertwine in a repertoire that is both solemn and wild, full of humor, surprise, and whimsy. Revived with enthusiasm since 2023, this unusual show invites the audience to celebrate their quirky side in a festive and playful tribute.
Ages 6 and up.
Alexandre Païta presents the final piece of Lorca’s dramatic trilogy, “Blood Wedding”. This poignant and visually stunning drama portrays Andalusian peasantry through the tale of a bride who elopes with her former lover on her wedding day. Themes of honor, possession, passion, and rivalry intertwine beneath a moon symbolizing death. The play exalts the quest for freedom and love until death, set against a backdrop of scorching landscapes and wounded hearts.
In French.
Jennifer Merlyn Scherler invites you to the Death Café, a gathering inspired by Tokyo’s Maid cafés, featuring the recurring character Hadès. This haunted setting offers a delicate yet unsettling experience centered on mourning and memory, with lip-sync performances and discussions about departed friends, among other elements. Blurring the lines between fiction and reality, kawaii and the macabre, this performance provides an ironic and sensitive meditation on loss and emotional connections. The event is part of the Side Quest for the Real exhibition program.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.
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