Projects by five finalists from HEAD–Genève are presented alongside the work of Mohamad Khamis in an exhibition of installations that probe sharing and engagement. The pieces employ spatial and conceptual strategies to explore collective practices, interpersonal exchange and forms of commitment. The show foregrounds emerging artistic voices, using installation as a platform for material inquiry and civic reflection, and invites careful attention to the ways artworks stage social relations and ethical questions.
After spending six years in prison, a solitary con artist embarks on a journey of reintegration. Suddenly, a woman claiming to be his daughter appears, bringing up a missing sum of money, a cult, and an heiress tied to wartime exploitation. With the support of a therapist who was involved throughout his incarceration, the characters delve into a world of deception, identity quests, and shared guilt. This existential thriller delves into the fragmented nature of reality and memory.
In French.
FURTHER AFIELD
This exhibition celebrates the artistry of Michel Mottier, a craftsman from the Pays-d’Enhaut who carves each wooden cream spoon with patience and precision. Discover around a hundred unique handcrafted spoons, each reflecting his remarkable skill and dedication to this singular passion.
Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.
Taste Contemporary presents Ways of Looking, a solo exhibition by British painter Ben Sadler, bringing together all 24 portraits from his 2024 series You and I, alongside recent works. Through small, quietly compelling paintings of imagined exhibition-goers, Sadler captures fleeting expressions and inner worlds—figures who meet our gaze or drift away, pensive, amused, or absorbed. Subtle and poignant, the works explore the layered experience of exhibitions: the art, the space, the people within it, and the unspoken connections between them.
Opening on Thursday 22 January, from 18:00.
The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
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