Patrick Favre-Tissot, musicologist and author of Giuseppe Verdi (Bleu Nuit editions), brings scholarly expertise in 19th-century opera and cultural history.
This lecture examines how Verdi’s compositions intersected with Italian patriotism, investigating key works, historical contexts, and musical rhetoric that fostered national sentiment. It explores artistic strategies Verdi used to address political themes and what that reveals about opera’s role in 19th-century public life.
In French.
This interactive memory challenge invites participants to test their memory while exploring practical ways to preserve biodiversity based on Geneva’s municipal strategy. Players match “before-and-after” images that illustrate individual and institutional actions, and each correct pair reveals concise information explaining the measure. The activity examines themes such as habitat restoration, species-friendly practices, urban greening and policy responses, helping participants understand the impact and rationale behind everyday and organisational conservation choices.
David Basler, editor and founder of a Swiss comics publishing house, recounts the origin and impact of his work bringing French-language bande dessinée to German-speaking Switzerland. Marked by a 1978 encounter with Gérald Poussin, Basler published the first title Zig Zag Zoug in 1981 and went on to release over 400 volumes, including works by Jacques Tardi and Marjane Satrapi. This lecture examines editorial strategy, cultural translation, and the challenges of publishing comics in a different linguistic area.
In French.
Philippe Charlier, forensic physician, anthropologist and director of research, presents an investigation into the circulating metaphysics of spirits in the vodun of Benin and the voodoo traditions of Haiti. Following the avenging deity Heviosso, the egungun dances of Benin and the flight of spirits associated with zombi phenomena in Haiti, he examines rituals that position these entities as intermediaries between the living, the souls and the ancestors.
In French.
Hyacinthe Ravet, professor of sociomusicology at Sorbonne University’s Faculty of Letters and researcher at the Institut de Recherche en Musicologie, presents “What Is an Orchestra? Sociomusicological Enquiries.” Drawing on thirty years of field research inside orchestras, she examines individual career paths, the processes that produce collective cohesion, and the identity of the ensemble. The lecture offers analytical perspectives on authority, collaboration and musical practice within orchestral life.
In French.
Laurent Tessier examines the history and contemporary politics of Christian Zionism as a transnational third actor in the Israeli–Palestinian conflict. Drawing on research from nineteenth-century British evangelical circles to present-day evangelical–Israeli alliances, he explores the political alliance, cultural affinity and prophetic expectation that sustain this involvement, and analyses internal tensions such as its ambiguous relation to antisemitism, the silence about Palestinian Christians and the growing convergence with the Israeli religious right.
In French.
An invited artist curates a 90-minute listening set drawn from the MEG’s Marco Botta sound collection. Nearly 5,000 LPs—mostly from the 1960s and 1970s—are mined for hidden grooves, rare labels and global sound textures. The performance reanimates archival recordings into a live sonic narrative, folding analog warmth, surprising juxtapositions and tactile vinyl crackle into an intimate, exploratory experience. It foregrounds listening as an active, communal act and offers new perspectives on musical memory.
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