Choreographed and performed by Christian Ubl in collaboration with naturalist Gilles Clément, this danced dialogue unfolds like a wandering garden where movement and thought grow freely. With humour and tenderness, the duo probes what it means to be alive: planetary mixing, the journeys of seeds, the delicate dance of the edelweiss and the encounter between voice and body. Sparse staging and intimate interplay let poetry sprout and invite quiet reflection. Co-produced with festival Antigel.
Je ne suis pas Johnny is a theatrical exploration of identity, memory and the weight of cultural myth. Combining intimate staging, physical sensitivity and moments of dark humour, the piece unsettles familiar narratives and invites audiences to reconsider how personas are constructed and performed. Sparse lighting and a fluid rhythm shape an intense, close-up experience, where silence and gesture reveal hidden tensions and unexpected tenderness.
Amor follows a forty‑something couple, attached yet weary from routine, confronting unspoken truths and the pull toward emancipation. This intimate, humanist theatre piece probes love’s contradictions—between inherited models and contemporary norms—through subtle staging and concentrated performances. Marjolaine Minot and Guillaume Prin embody the emotional shifts with delicate nuance, drawing the audience into a relational interior where choices, desire and restraint collide.
In French.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Directed by Gabriel Álvarez, Le Repas revives two flagship pieces from his company’s repertoire for the 40th anniversary of Studio d’Action Théâtrale and pays homage to playwright Valère Novarina. A cosmogonic feast staged with the audience at table, the performance devours the world through ritual, poetry and corporeal presence. It examines human voracity, collective memory and the fate of what we ingest, offering a sensorial, intimate and occasionally brutal theatrical journey.
In French.
A playful, genre-blending evening led by Lord Betterave and featuring Mehdi Bousaidan and Charles Nouveau. The show mixes live DJ performance, satire and theatrical sketches, exploring urban nightlife, identity and absurdity. Dynamic staging and rhythmic transitions give way to intimate, high-energy moments, where music and spoken word converse. Produced by AB Prod Sàrl, the performance alternates live mixing, comic interplay and performative vignettes to blur the line between concert and cabaret.
In French.
Zamakan is a trio led by Egyptian saz master Abdallah Abozekry, guitarist Baptiste Ferrandis and Indo‑Helvetic violinist Baiju Bhatt. Their oriental jazz blends original compositions with improvisation, weaving vigorous rhythms and drifting poetic reveries. The music foregrounds multicultural identities and adventurous interplay: Abozekry’s hypnotic saz, Ferrandis’s inventive guitar and Bhatt’s virtuosic violin create layered textures that move from intimate stillness to incandescent intensity. Their new album Dans le ventre de la nuit frames the project as an assertion of bold, global creativity.
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