23 – 26 April

Un petit meurtre sans conséquence

Un petit meurtre sans conséquence examines the corrosive dynamics of a partnership through savage wit and dark comic timing. This staging sharpens the play’s satire, exposing the small betrayals and escalating cowardice that undercut intimacy. Sparse sets and stark lighting heighten the moral claustrophobia, while conversational dialogue pivots between warmth and menace. The result is a tense, mordant portrait of complicity and self-preservation, balancing laughter with a chill of recognition.

In French.

Rue Louis-Favre 43,
1201 Genève
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Photo Credit: Dosabe

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Friday 24 April, 20:30

An improvisational duet by Carlos Henriquez and Fausto Borghini, this show turns audience suggestions (time periods, words, places and emotions) into instant scenes. With the single rule of never saying no, the duo launches into a sequence of short, varied, fast-paced vignettes that blend comedy, surprise and emotional truth. The performance relies on the performers’ keen listening, rapid chemistry and playful risk-taking, creating an electric, intimate atmosphere where unpredictability becomes the engine of storytelling.

In French.

21 – 25 April

C’est déjà demain.14 is a festival that presents emerging creators from the Romande scene. The fourteenth edition gathers prototypes, first works, Bachelor and Master performances and short extracts in compact, experimental formats.

Artists explore form and language, blending theatre and performance in hybrid approaches that favour risk, raw material and close encounters with audiences. The programme offers a concentrated view of new dramaturgies and staging practices, and highlights projects in development.

In French.

24 April – 9 May

About the play
1942. France is under occupation. Seven friends gather to celebrate Sophie’s birthday—until two German officers are shot beneath their windows. Kaubach, a Nazi commander, forces the guests to make an unthinkable choice: to designate two hostages among themselves.
Thus begins a harrowing struggle for survival. By confronting the depths of human nature, the play invites us to question which side we would have chosen.

In French.

23 – 25 April

Directed by Nicolas Chapoulier, Passages secrets stages an in-situ, hybrid performance where adolescents rework the voices of older generations through movement, video and live sound. Scenography by Johanna Rocard frames metamorphoses and fragile carnivalesque scenes, while composer Franck Serpinet and Chapoulier’s sound writing sculpt the aural landscape. An external sociology collaborator, Jocelyn Lachance, informs the piece’s social layering. The atmosphere oscillates between ritual, humour and unsettling intimacy, letting adolescence unfold as a luminous, unruly passage.

In French.
Ages 12 and up.

Friday 24 April, 21:00

Led by pianist-composer Mélodie Gimard with dancer-choreographer Karen Lugo, Femmenco fuses flamenco, jazz and contemporary creation through an ensemble of five women: Gal Maestro (bass), Anna Colom (voice) and Nasrine Rahmani (percussion). Original compositions driven by feminine energy interweave with a bailaora’s expressive movements, creating dialogic exchanges between sound and body. The staging favours raw rhythmic intensity, intimate textures and luminous phrasing, transporting the audience into a warm, pulsating soundscape that rethinks flamenco’s contemporary voice.

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