Written and directed by Cecilia Olivieri, Un An stages a family’s intimate life over the course of a year in 2026. In the vein of documentary theatre and theatre of the real, the piece seeks accessibility and collective resonance through pared-down staging, movement and close observation of everyday rituals. Rehearsals are intentionally brief to preserve immediacy and allow improvisation, keeping performances fresh while revealing the tenderness and tensions that shape family life.
In French.
Zucchero, the Italian rock‑blues legend, brings four decades of soulful songwriting and gritty vocals to the stage. Known for blending blues, rock and Mediterranean melodies, he has collaborated with icons such as Eric Clapton, Bono, Sting and Luciano Pavarotti. With over 60 million records sold and hits like Senza una donna, Baila (Sexy Thing) and Diamante, his performance balances intimate ballads and rousing grooves.
Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.
In French.
Two masterful settings of the Magnificat, by J.S. Bach and C.P.E. Bach, present a dialogue between different baroque idioms. The programme highlights radiant choral textures, intimate solo arias and agile instrumental writing, balancing exultant choruses with moments of quiet reflection. Attention to phrasing, articulation and historic performance practice brings clarity and emotional depth, inviting listeners into the sacred and expressive world of late seventeenth- and eighteenth-century music.
Discover Late Company, a powerful and thought-provoking play by Jordan Tannahill, directed by Charles Slovenski.
This gripping drama explores the emotional aftermath of cyberbullying, as two families come together for an uneasy and deeply human confrontation. Through sharp dialogue and intense performances, Late Company invites audiences to reflect on responsibility, forgiveness, and the impact of our actions in a digital world.
In English.
Directed by Claude Vuillemin, Yasmina Reza’s Trois versions de la vie assembles four performers, Laurent Deshusses, Marie Druc, Sophie Lukasik and Nicolas Rossier, in a taut, virtuosic staging. Lighting by Rinaldo Del Boca and costumes by Sylvie Lépine shape shifting domestic realities as the play probes how social veneer fractures intimate relationships. This production by Les Amis – Le Chariot demands precision and emotional nuance from its cast.
In French.
Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.
It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.
In French.
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