I had planned so many things for the future. It seemed like ages away. I really thought I had tons of time, but apparently not so much. I think my future self ghosted me… Or maybe he just went to buy cigarettes.
In French.
I had planned so many things for the future. It seemed like ages away. I really thought I had tons of time, but apparently not so much. I think my future self ghosted me… Or maybe he just went to buy cigarettes.
In French.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
Choreography and performance by Victoria Dauberville, this dance piece follows a ballerina who literally escapes her music box to discover a new world and, ultimately, herself. Like a doll shaped by strict rules, she abandons prescribed steps and meets other dancers and styles, inventing her own movement. The staging plays with expectation and humour, questioning what it means to dance with others and alone, and opening space for surprise and tenderness.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Matthieu Llodra and Valentin Liechti reunite as a duo to revisit their electronic roots in a set that blends improvised performance with the rhythmic energy of House, Jungle and Broken Beat. Drawing on fifteen years of collaboration, they offer a dance-focused homage to 1990s club culture, where live interplay and spontaneous textures meet propulsive grooves and layered samples. The evening promises an exploratory, club-oriented soundscape that balances nostalgia with improvisational freedom.
Led by Warren Ellis (violin) with Mick Turner (guitar) and Jim White (drums), Dirty Three craft expansive instrumental narratives that blend post‑rock, folk, classical and free jazz. Their music moves through intimate, quiet passages to sweeping, cathartic crescendos, built from delicate interplay and raw timbre. The trio’s return with Love Changes Everything (2024) deepens their reputation for emotive soundscapes and intense live catharsis. Their long collaborations with artists like Nick Cave, Cat Power and Bonnie “Prince” Billy underscore a singular voice in contemporary alternative music.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
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