Created by Jennifer Walshe, Some Thinking & Feeling is a work for voice, analogue voice, synthesizer and an experimental fanfare, performed by Ensemble Contrechamps. The piece juxtaposes acoustic and electronic timbres, moving between fragile vocal textures and bold brass eruptions. Through precise notation and theatrical presence, it explores listening, timbre and collective dynamics, inviting focused attention on sound, gesture and ensemble interplay.
An energetic evening of spontaneous theatre, the 32nd Mondial d’Improvisation brings together agile improvisers who craft scenes and characters on the spot. The ensemble explores rapid storytelling, sharp comic timing and emotional risk, playing with form and audience suggestion. Staging favors minimal props and a nimble ensemble dynamic, producing a vibrant, unpredictable atmosphere where creativity and collaboration drive every moment.
In French.
Ivan Urgant brings his late-night show to the stage in a lively concert format, blending sharp on-street reports, intimate guest encounters, national costume try-ons and stand-up humour. Performed by Urgant and his team, the production mixes televised spontaneity with theatrical staging, inviting the audience into the creative process and moments of improvisation. Expect a witty, fast-paced evening where the boundary between show and spectators blurs.
In Russian.
Choreographed by Cindy Van Acker with Cie Greffe, Les Impromptus grew from the choreographer’s solitary encounters with the paintings of Léon Spilliaert. These ephemeral, site-responsive performances are invented in the moment: short, spontaneous pieces shaped by interactions with artworks, spaces and present spectators. Emphasising proximity and improvisation, the work unfolds through the company’s refined movement vocabulary, exploring presence, memory and the play of light and silence to create intimate, immediate compositions rooted in the here and now.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Directed by Elidan Arzoni, this fiery, hilarious staging of Yasmina Reza’s play follows two couples whose polite attempt to resolve a quarrel between their sons collapses into a savage verbal carnage. Performers Sophie Broustal, Vincent Jacquet, Camille Édith Bouzaglo and Frédéric Landenberg unleash sharp, tightly wound exchanges, while Benoît Delaunay’s scenography and Hervé Broillet’s costumes frame escalating social fractures. Danielle Milovic’s lighting and meticulous stagecraft intensify a darkly comic exploration of civility, hypocrisy and unleashed instincts.
In French.
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