Formed in Los Angeles in 2002 by singer Jesse Wagner and organist Roger Rivas, The Aggrolites blend Kingston rhythms and Motown soul into a raw, “dirty reggae” sound. After years on the road and a later hiatus, they returned revitalized with Reggae Now!, favouring an organic, old‑school approach that prioritizes live energy and danceable positivity. Expect groove‑driven organ lines, warm vocals and tight, soulful grooves. Support: Two Toners, a Geneva ska outfit.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
TRIIT gathers improvisers from Geneva, Vaud, Valais, Neuchâtel and Fribourg in a spirited inter-cantonal tournament of theatrical improvisation. The second edition foregrounds quicksilver wit, ensemble listening and bold character work as teams respond to spontaneous prompts. The creative focus oscillates between comic risk-taking and moments of honest surprise, with dynamic pacing and responsive staging shaping the drama. The atmosphere is competitive yet communal, a celebration of linguistic agility and shared theatrical invention.
In French.
Arcadi Volodos will be performing a piano recital as part of the series “Les Grands Interprètes.” The program features works by Bach/Feinberg and Chopin, including mazurkas, nocturnes, and the Polonaise-Fantaisie op. 61.
An intimate theatrical evening that blends humour and reflection, Sacrée soirée stages a compact ensemble exploring rites of celebration, memory and the rituals that bind us. The direction favours precise physicality and luminous design, where shadow and music sculpt the actors’ interactions. Minimalist sets and evocative lighting shape fleeting tableaux, inviting a close encounter with the characters’ private revelations and shared contradictions.
In French.
Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.
In French.
Under the dual leadership of Sergey Ostrovsky, who conducts and performs as violin soloist, this closing concert presents Johannes Brahms’s Violin Concerto, Op. 77, alongside Felix Mendelssohn’s Symphony No. 3, Op. 56 “Scottish”. The program juxtaposes Brahms’s warm, introspective lyricism with Mendelssohn’s sweeping, evocative landscapes, offering a journey from intimate soloistic detail to full orchestral grandeur. Expect finely shaped phrases, radiant string tone and dramatic contrasts that highlight both virtuosity and poetic depth.
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