Arcadi Volodos will be performing a piano recital as part of the series “Les Grands Interprètes.” The program features works by Bach/Feinberg and Chopin, including mazurkas, nocturnes, and the Polonaise-Fantaisie op. 61.
Arcadi Volodos will be performing a piano recital as part of the series “Les Grands Interprètes.” The program features works by Bach/Feinberg and Chopin, including mazurkas, nocturnes, and the Polonaise-Fantaisie op. 61.
Directed by Claude Vuillemin, Yasmina Reza’s Trois versions de la vie assembles four performers, Laurent Deshusses, Marie Druc, Sophie Lukasik and Nicolas Rossier, in a taut, virtuosic staging. Lighting by Rinaldo Del Boca and costumes by Sylvie Lépine shape shifting domestic realities as the play probes how social veneer fractures intimate relationships. This production by Les Amis – Le Chariot demands precision and emotional nuance from its cast.
In French.
Performed by Year 8 students from La Grande Boissière, this youthful staging of The Little Mermaid Jr. brings Hans Christian Andersen’s timeless tale to vibrant life. Featuring the charming songs of Alan Menken, the production showcases a lively ensemble, inventive staging and playful choreography that highlight the students’ theatrical energy and vocal work. The adaptation’s accessible script suits young performers while preserving emotional depth and a sense of wonder.
In English.
Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.
In French.
The OSR and soloist Antoine Tamestit will perform Jörg Widmann’s Viola Concerto, a challenging piece that showcases the musician’s diverse skills. The program also features Wagner’s “The Ring Without Words,” an orchestral arrangement by Lorin Maazel that condenses fourteen hours of music into one hour. The event is conducted by Daniel Harding.
Sara Oswald blends cello and voice into an intimate, mountain‑inflected sound world. The Vaud-born cellist presents selections from her 2022 solo album Bivouac, where bowed textures, plaintive melodies and sparse electronics conjure high-altitude atmospheres. Her work with Les Young Gods, Sophie Hunger and Pascal Oberson feeds an experimental yet lyrical approach. On stage she alternates fragile lyricism and raw resonance, shaping concentrated moments of reflection that linger in the listener’s memory.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
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