Choreographed by Caroline de Cornière and performed by Cie C2C, Seule.s en scène foregrounds the female body-memory through a shared movement that each dancer shapes in her own way. The work honours singular trajectories beyond youthful prescriptions, weaving choreography grounded in memory, transmission and the emancipation of gesture. Intimate and physical, the piece invites a contemplative attention to ageing, lineage and the small variations that carry personal histories across bodies.
An energetic evening of spontaneous theatre, the 32nd Mondial d’Improvisation brings together agile improvisers who craft scenes and characters on the spot. The ensemble explores rapid storytelling, sharp comic timing and emotional risk, playing with form and audience suggestion. Staging favors minimal props and a nimble ensemble dynamic, producing a vibrant, unpredictable atmosphere where creativity and collaboration drive every moment.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
Camané, a leading figure of contemporary fado, offers an intimate, lyric-driven performance where voice shapes narrative and silence becomes breath. His elegant restraint and deep attention to lyrics bring out melancholy, memory and light. Joined by José Manuel Neto (Portuguese guitar), Carlos Manuel Proença (acoustic guitar) and Paulo Paz (double bass), the quartet builds precise arrangements and rich textures that balance tradition and renewal. The result is a suspended, inward musical journey of subtle intensity.
Directed by Elidan Arzoni, this fiery, hilarious staging of Yasmina Reza’s play follows two couples whose polite attempt to resolve a quarrel between their sons collapses into a savage verbal carnage. Performers Sophie Broustal, Vincent Jacquet, Camille Édith Bouzaglo and Frédéric Landenberg unleash sharp, tightly wound exchanges, while Benoît Delaunay’s scenography and Hervé Broillet’s costumes frame escalating social fractures. Danielle Milovic’s lighting and meticulous stagecraft intensify a darkly comic exploration of civility, hypocrisy and unleashed instincts.
In French.
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