Thursday 30 April, 20:00

Rodopi: Music and Dances of Thrace

Booking Required

Ensemble Rodopi presents music and dances from Thrace, a borderland where Bulgarian, Greek and Turkish traditions meet. The ensemble—Drosos Koutsokostas (laouto, vocals), Kyriakos Petras (violin), Nikos Angousis (clarinet), Alkis Zopoglou (kanun) and Yorgos Pagozidis (percussion)—explores asymmetric rhythms, layered timbres and choreographic repertoires. With participation from C.H.E.F. dancers, the programme shifts from concert to communal dance, evoking village celebrations and the tactile exchange between musicians and dancers. Recorded by RTS – Espace 2.

passage Marie-Claude-Leburgue 2,
Switzerland

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Photo Credit: DR

22 April – 9 May

Henry IV

Performances

Théâtre du Grütli

Power struggles take center stage in this political and human narrative, offering a sharp reflection on legitimacy, chaos, and the quest for identity. The production incorporates a modular set design with models, puppetry, and contemporary projections to craft an epic theater experience that blends comedy and tragedy, rooted in past and present crises.

In French.

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28 – 30 April

Chaos Ballad

Performances

Théâtre Saint-Gervais

“Chaos Ballad” by Samir Kennedy at Maison Saint-Gervais immerses the audience in an intense performance blending concert, wild cabaret, and prophetic nightmare. With elaborate makeup and costumes, Kennedy embodies a melancholic, decadent clown, navigating between majesty and vulnerability. The performance features a defiant dance symbolizing the struggle against terror, absurdity, and the monotony of the world, creating a captivating and apocalyptic atmosphere.

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30 April – 2 May

19e MOS ESPA — À la lueur de l’art

Performances

Motel Campo

Curated by Frédéric Post and Sonia Perego, MOS ESPA offers an unplugged, immersive festival framed as a barefoot, cocoon-like listening experience. The program features performances by Léna Hiriartborde, Yann Leguay, Julian Sartorius, Pali Meursault and others, blending field recordings, amplified objects, acoustic traditions and electronic textures. Site-specific installations and wooden instruments crafted by a participating maker lend a handcrafted intimacy, while sparse lighting and spatialised sound create close, contemplative atmospheres that favour shared, intense musical moments.

Mos_Espa is a project best experienced barefoot, in socks, slippers, or leather boots. You will be asked to leave your shoes and phone in the cloakroom. For this edition without electricity, credit card payments will not be accepted; cash only.

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22 April – 3 May

Feu au lac !

Performances

Théâtre des Marionnettes

Feu au lac ! stages a trio of political puppet pieces that resurrect little-known episodes of Romandy’s social history. Combining rod puppets, archival fragments and live music, the performance balances sharp satire and warm humanity. Conceived from a short piece shown during Cabaret en chantier 2024, the triptych revitalizes political marionette theatre while offering a rhythmic, musical staging that sparks reflection and collective energy. The creative approach foregrounds material histories and the power of popular resistance.

In French.

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Thursday 30 April, 20:00

GuiHome

Performances

Salle Communale d'Onex

GuiHome, a Belgian comedian who gained fame through YouTube, will perform in Onex following a sold-out tour in France and Belgium. He’s known for his hilarious anecdotes about the transition to adulthood, portraying multiple characters to explore dreams, doubts, and life’s realities. His show promises a relaxing and nostalgic experience, delivering pure laughter and a trip down memory lane.

In French.

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21 April – 10 May

Ivanov

Performances

Théâtre de Carouge

Chekhov’s Ivanov follows Nikolai Ivanov, a middling Russian landowner crushed by debt and by the slow decline of his wife, Anna Petrovna, who is dying of tuberculosis. Across four acts, his inertia curdles into melancholy and self-destruction, swinging between biting comedy and harrowing despair. Written in a ten-day burst in 1887, when Chekhov was only twenty-seven, the play crackles with youthful urgency as tragedy and humor intertwine.

Director–actor Jean-François Sivadier infuses this new staging with his distinctive theatrical energy, pairing veteran performers with fresh faces to reignite the play’s original heat. Echoing Gustav Mahler’s dictum that “tradition is not the worship of ashes, but the preservation of fire,” the production seeks to keep Chekhov’s raw, combustible spirit blazing on today’s stage.

In French. Ages 16 and up.

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Rodopi: Music and Dances of Thrace