11 – 12 June

Que personne ne sache où nous sommes

Booking Required

Conceived and staged by Silvina Peruglia, this intimate concert-theatre interrogates love, loss and redemption through three central voices of fin-de-siècle Vienna: Gustav Mahler, Arnold Schoenberg and Alma Mahler. The programme interlaces instrumental and vocal writing — Lieder eines fahrenden Gesellen, selections of Alma Mahler songs and Schoenberg’s Verklärte Nacht — into a continuous dramatic arc. Katarina Bradić (mezzo-soprano) and Benjamin Appl (baritone) lead a focused ensemble; spare staging, pronounced visual and lighting work heighten the emotional intensity. Coproduction with Orchestre de Chambre de Genève.

Avenue de Miremont 46,
1206 Genève

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Thursday 5 November, 20:00

Mentir Lo Mínimo

Performances

Espace Vélodrome

Mentir lo Mínimo by Cie Alta Gama follows the journey of three bodies — a woman, a man and a bicycle — stripped down to the essentials: the body itself. Performers Amanda and Alejo create daring partnering, acrobatics and bicycle voltiges to explore self-relationship, identity and intimacy. Blending circus, theatre and live music within a minimalist aesthetic, the piece treats physicality with subtlety and celebration, offering a poetic, tactile reflection on presence.

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Thursday 5 November, 18:30

Cuban Rhythms and Landscapes — Mosaic Season

Performances

Conservatoire Populaire

Featuring guitar teachers and students from the Conservatoire populaire and dancers from the pre‑professional contemporary class of Emilio Artessero Quesada, this program stages a dialogue between dance and guitar rooted in Cuban repertoire. Works by Leo Brouwer — including the complete 20 Études simples and Paisajes cubanos — weave minimalism, serial techniques and Cuban folklore into a dense rhythmic tapestry. The performance balances precise instrumental textures and kinetic, communal choreography, offering vivid sonic colours and pulsing movement.

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4 – 8 November

Festival Improoo

Performances

Théâtre le douze dix-huit

Improoo is a festival of long-form improvisation that lets stories breathe and unfold in real time. Performances range from half-hour episodes to hour-long narratives and beyond, driven by a tight ensemble of improvisers who build sustained dramatic arcs, shifting tones and unexpected emotional turns. The creative approach privileges listening, risk and theatrical economy, offering immersive, spontaneous storytelling rooted in theatrical craft and collective play.

In French.

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Thursday 5 November, 19:15

Tribute to Parabellum — Ring of Cash & Vikie

Performances

Alhambra

Part of Recluses Fest #10, this evening brings a rare tribute to Parabellum alongside performances by Ring of Cash and Vikie. Former members of Parabellum reunite with guests and local scene stalwarts to revisit cult anthems with raw intensity and communal fervour. Ring of Cash blends power-folk-rock energy with Juliette Canouet’s captivating voice, supported by Mika Garcia, Jean-Philippe Soler and Xa Mesa. Vikie opens with a punk-tinged, politically charged chanson, creating an exhilarating, sweat-soaked atmosphere.

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5 November – 6 May

The Immense Gala — Improvised Dubbing Troupe

Performances

Théâtre de la Madeleine

This improvisational cabaret gathers a rotating ensemble who transform prompts into exuberant, instant theatrics. Performers spin spontaneous stories, invent vivid characters and push collective comedy toward grand, over-the-top moments. The staging favors quick costume shifts, dynamic lighting and a live-paced soundscape that heightens each surprise. Featuring Nadim Ahmed, Blaise Bersinger, Nina Cachelin, Odile Cantero, Deborah Chirenti, Thomas Demaurex, Alain Ghiringhelli, Julien Henchoz, Malik Kaufmann, Pauline Maitre, Adrien Laplana, Eric Lecoultre and Quentin Lo Russo, the show celebrates the art of improvisation and shared laughter.

In French.

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27 October – 15 November

Focus Jeune Création

Performances

La Comédie de Genève

Focus Jeune Création brings together a new generation of Romand artists over two weeks, presenting five bold and hybrid performances that blur theatre, performance and live art. The program explores emergent writing and stage practices— from plateau-based text to pieces rooted in the real—offering layered, often indisciplinary approaches that question formats and invent languages for a transforming world. Accompanying meetings and discussions extend the works and open insight into creative processes.

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Que personne ne sache où nous sommes