Conceived as a dialogue between historical research and live performance, this second edition of Les Encyclopédiennes explores bel canto and the first currents of Italian Romanticism. Musicians from L’Encyclopédie shape a refined programme that moves from lecture and vocal reflection to concert performance, with Bénédicte Tauran in the workshop and young talents from the HEM in the Ex-Libris concert. The atmosphere is intimate, lyrical, and intellectually charged.
In English.
Four performers embody testimonies from different generations in Sept, situated at the crossroads of dance and film. Between intimate confidences and tender tableaux, the piece examines how age shapes us and stages a delicate exploration of what growing older means, revealing a shared humanity. The staging shifts between projected images and live bodies, weaving visual and physical layers to create an experience that is both poetic and unsettling.
A science-and-culture evening marking International Dark Matter Day, created in partnership with Radio Vostok. The programme blends a live radio broadcast on dark matter and the links between art and science with a concert by regional artists. Set in a mysterious, poetic, and immersive atmosphere, the event invites audiences into a dialogue between research, sound, and imagination. In French.
Comedian and actor Justine Le Pottier recounts her life on stage in a wry, intimate solo show. She navigates the upheaval of moving to Paris, drama school trials, misfired auditions, and the early YouTube boom with candid humour and vivid anecdotes. Interwoven are personal stories about relationships, her dog and an unexpected encounter with a Formula One driver, creating a blend of confessional storytelling and sharp observational comedy.
In French.
Novarina’s text is staged as a pulsating, jubilant language for seated singers: an archipelago of acts and unresolved gestures. Cascades of duos, liturgies of the circus, laments, spoken landscapes and fragmentary songs assemble into a corrosive poetic satire that probes the sonic, visual, semantic and rhythmic virtualities of speech. The piece interrogates political discourse, the press and the social image of man while privileging theatrical sound and corporeal invention. Produced by Studio d’Action Théâtrale as part of its 40th anniversary.
In French.
Focus Jeune Création brings together a new generation of Romand artists over two weeks, presenting five bold and hybrid performances that blur theatre, performance and live art. The program explores emergent writing and stage practices— from plateau-based text to pieces rooted in the real—offering layered, often indisciplinary approaches that question formats and invent languages for a transforming world. Accompanying meetings and discussions extend the works and open insight into creative processes.
Two incandescent works meet in a programme of ardent passion and doomed desire. Janáček’s Zápisník zmizelého (The Diary of One Who Disappeared), here in Laurent Cuniot’s arrangement, stages the feverish confession of a young peasant enthralled by a gypsy; Manuel de Falla’s El amor brujo (1915 version) conjures Andalusian rites, flamenco rhythms and orchestral heat. Isabelle Druet and tenor Petr Nekoranec lead the vocal drama, with the Orchestre de Chambre de Genève in a co-production marking de Falla’s 150th anniversary.
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