Comedian and actor Justine Le Pottier recounts her life on stage in a wry, intimate solo show. She navigates the upheaval of moving to Paris, drama school trials, misfired auditions, and the early YouTube boom with candid humour and vivid anecdotes. Interwoven are personal stories about relationships, her dog and an unexpected encounter with a Formula One driver, creating a blend of confessional storytelling and sharp observational comedy.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
Led by Cyril Moulas and Matthieu Llodra, this Apéropéra gathers students from the Pre‑Professional Programme and teachers from eMa to rework the music of Frank Zappa. The programme moves between inventive covers and original compositions, blending rock, jazz and theatrical unpredictability. A concise student set opens onto a fuller teachers’ project where tight ensemble playing, bold arrangements and moments of improvisation create a lively, exploratory atmosphere — intimate, electric and delightfully subversive.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
“Wasted Land” by Ntando Cele at the Maison Saint-Gervais combines song, music, dance, and multimedia to tackle the climate crisis. The performance shifts between dynamic and contemplative multidisciplinary sequences, highlighting the destruction wrought by fast fashion and the often hypocritical ecological responses, contrasting impoverished nations with Western powers.
Choreographed by Jeremy Nedd and featuring a new creation by Jolie Ngemi, this graduation programme brings together the young performers of La Manufacture’s Bachelor in Contemporary Dance. Nedd’s work probes racial and collective questions, exploring how communities form amid social and political tensions. The evening showcases ensemble pieces performed by the graduating cohort and framed by attentive technical support, offering a vivid, physical investigation of identity, belonging and shared resilience.
Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.
In French.
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