Puissance 5 brings together five women artists from different generations in a dialogue between matter and spirit. Their intersecting trajectories produce works where gravity, metal, graphite and cosmic imagery become recurring motifs. The exhibition presents pieces in metal, pencil and mixed media that interweave tactile presence and poetic restraint, exploring materiality, perception and the enduring force of feminine creation across time and space.
Opening: 16 September, 16:00
The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.
This exhibition explores the careers of Édouard Naville, Switzerland’s pioneering Egyptologist, and his wife Marguerite Naville, whose contributions alongside him are now recognised in their own right. Through archival documents, excavation records and pharaonic objects, the presentation illuminates their archaeological practice and Marguerite’s role, while situating their work within the political, religious and humanitarian commitments that shaped scholarly life at the turn of the twentieth century.
In French and in English.
Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.
Opening: Thursday 16 July, 18:30
Curated presentation gathers laureates of the International Competition for Artists from Minorities (2022–2025), bringing together around thirty artists such as Zahra Hassan Marwan, Babatunde “Tribe” Akande and Mehdi Rajabian who interrogate dominant narratives and resist erasure. Through painting, photography, sculpture, digital art, installations, performance and music, contributors blend testimony, memory and activism.
Four thematic axes—statelessness; intersectionality; memory in the present; belonging, place and loss—shape a multidisciplinary dialogue that foregrounds minority voices and asks how art can testify to, preserve and reclaim marginalized histories.
Opening: Monday 3 August, 18:00
Mi Mawai and Madzerokai present an immersive audiovisual installation born from a residency exchange between the Brazilian Amazon and Geneva. The work invites immersion in Baniwa cosmology through video, layered soundscapes, flutes, traditional singing and dance. Visitors are invited to lie in hammocks and on mats for contemplative encounters with projected landscapes and ritual sonic textures. The piece foregrounds ancestral knowledge, collective memory and multisensory modes of storytelling.
Pleasing the Spirits invites you on a journey through the Barbier-Mueller Collection, showcasing artworks from around the globe. Curated by Séverine Fromaigeat and Paul Maheke, the exhibition offers an open-ended exploration of diverse objects, awakening spirits and uncovering territories to discover.
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