5 November – 16 January

Alexandre de Spengler

L’Exemplaire dedicates its next exhibition to Alexandre de Spengler, spotlighting a lesser-known facet of his practice: printmaking. Gathering engravings produced between 1925 and 1955, the presentation invites visitors to rediscover an artist deeply tied to Geneva and its artistic life. A selection of graphic works reveals his place in the city’s cultural landscape, while archival documents shed light on his career, activity, and relationships within the local art milieu. It is a renewed encounter with a body of work that deserves close attention.

Opening: (AVV) 5 November, 16:00

Grand-Rue 25,
1204 Genève, Switzerland
Photo Credit: Alexandre de Spengler | Le funambule, circa 1925 | Linogravure, signée en bas à droite
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Photo Credit: Alexandre de Spengler | Le funambule, circa 1925 | Linogravure, signée en bas à droite

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17 September – 3 November

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Selected works from the 20th Concours international de céramique present contemporary approaches to clay across functional and sculptural practices. The exhibition gathers emerging and established makers whose pieces range from wheel-thrown vessels and hand-built forms to experimental sculptural objects and site-aware installations. Emphasis is placed on technique, surface treatment and material research, revealing diverse glazing, firing and modeling strategies. Curatorial selection highlights formal innovation and dialogue between tradition and experimentation within contemporary ceramic practice.

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Renowned for dissolving the boundaries between artist and audience, his work celebrated collaboration, transformation, and human connection through ever-changing, interactive creations. Blending political engagement with poetic imagination, Medalla explored themes of identity, migration, ecology, memory, and collective experience, leaving a lasting influence on contemporary art. This exhibition offers an opportunity to discover the work of one of the most visionary and experimental artists of the twentieth century, whose playful yet profound practice continues to inspire new generations of artists and audiences alike.

15 October – 14 November

This presentation honours Marguerite Roesgen-Champion, the Geneva-born composer, pianist and harpsichordist, through an exhibition and related programme. Archival manuscripts, scores and recordings illuminate her compositional voice, keyboard repertoire and chamber works. The displays emphasise contrapuntal clarity, timbral detail and performance practice, situating her within the circle of contemporary harpsichordists. Curatorial texts and integrated media explore her contribution to Swiss musical life and interpretive traditions.

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