Friday 30 October, 19:00

POSITIV by Festival du Soir

Booking Required

POSITIV comes to Geneva for a specially curated edition, assembling Paul Kalkbrenner, Mind Against, Nicolas Cuer and La Forêt among its lineup. The night is conceived as an immersive world: a monumental strip of staged areas hosts performances, roaming artists, installations, rides and food corners. The production by Village du Soir foregrounds spectacular scenography, marrying pulsing electronic sound with shifting light and visual design to create a disorienting, celebratory atmosphere that lingers beyond the music.

Route François-Peyrot 30,
1218 Le Grand-Saconnex

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Photo Credit: Village du soir

27 May – 25 June

Un Jackpot de rêve – comédie musicale

Performances

Théâtre de la Madeleine

Written and directed by Raphaëlle Farman, this musical comedy follows six eccentric lottery winners whose most improbable dreams suddenly come within reach. With the charismatic show host Macha and the scheming production director Florence, the ensemble embarks on escapades that leap from Arthurian chivalry to the surface of the moon. A troupe of spirited performers animates comic tableaux, while playful staging, brisk choreography and bursts of onstage magic create an exuberant, nostalgic atmosphere that celebrates imagination and folly.

In French.

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23 – 28 June

Three Queens

Performances

La Parfumerie

Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.

In French.

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23 – 28 June

On ne peut pas rouler sa maison, mais on peut habiter sa bagnole

Performances

Théâtre Les Salons

Two retired clowns revisit moments from their lives with mischievous tenderness and a sharp, critical eye. The piece unfolds as a series of rapid transformations—each reinvention arriving every three minutes—blending physical comedy, memory and gentle satire. The performers invite laughter through self-mockery and shared recognition, balancing fragility and spirited resilience. Staging privileges rhythm and gesture, creating a warm, bittersweet atmosphere that observes the world through playful yet clear‑eyed humour.

In French.

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23 – 28 June

Spirale Workshops 1 and 2

Performances

La Parfumerie

Spirale Workshops 1 and 2 showcase a thirty-year practice of transmission, research and intergenerational exchange. Under the direction of Michele Millner (Atelier 1) and Cathy Sarr with Patrick Mohr (Atelier 2), the project blends devised creation and collective laboratories. Atelier 1 develops a decolonial, antipatriarchal and radical laboratory that dialogues with figures such as Lady Macbeth and Nina. Participants include Marie Bondolfi, Yves Cerf, Mael Godinat and Jeanne Pasquier.

In French.

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23 June – 4 July

Ah ! Une brève histoire du cri primordial

Performances

Théâtricul

But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.

They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”

In French.

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10 – 26 June

Claudine (j’aime pas l’bonheur)

Performances

Théâtre Alchimic

Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.

In French.

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POSITIV by Festival du Soir