“Paix” by Tiphanie Bovay-Klameth at Maison Saint-Gervais is a solo performance where she portrays all the characters in a work centered around the theme of peace. This production pays tribute to the spirit of community involvement and illustrates a diverse group coming together despite their differences. It delves into group dynamics and the individual’s role, while emphasizing the significance of popular culture as a vehicle for peace in an uncertain world.
In French.
Laurent Gay’s anniversary concert, marking his fifteen years at HEM, promises a romantically charged evening featuring the HEM Orchestra, conducted by Gay himself, along with soprano Clémence Tilquin. The program showcases Richard Strauss’s “Six Lieder” and Anton Bruckner’s “Symphony No. 4.” This event highlights a passionate fusion of voice and orchestra while celebrating nearly thirty of Laurent Gay’s original works.
Festival Antigel transforms Geneva into an experimental cultural playground each winter, a three-week laboratory of innovation. Programming mixes renowned and emerging artists across music, performance and visual projects, revealing unexpected sites and blending disciplines. The festival foregrounds diversity and social engagement, bringing together varied audiences through bold curations. Lighting, sound and staging often shape intimate, cinematic atmospheres, while collaborative projects emphasize discovery, collective energy and the thrill of shared, ephemeral encounters.
Georgio, the acclaimed Parisian rapper known for his hit album “Années Sauvages,” is making his stage comeback with two new singles. He will perform at the Alhambra as part of the Festival Antigel. Tickets are already on sale for his upcoming Adidas Arena show in January 2026, and more tour dates are anticipated.
Choreographer Ugo Dehaes replaces his human troupe with extravagant robot-dancers endowed with an artificial intelligence that invents their own choreography. Intimate and unsettling, the performance invites the audience to sit around a table as the mechanised performers execute an uncanny, rhythmic ballet. Marie Peeters’ dramaturgy frames questions about labour, profit and the place of culture, while Wannes Deneer’s scenography and musical composition shape a tactile, immersive atmosphere. The piece blends humour, critique and physical precision.
In early January 2022, two construction vehicles belonging to a Swiss multinational were set on fire at a gravel pit in the Geneva countryside. Over a year later, a young man — referred to as Jérémy — was arrested and suspected of involvement in the arson. Held in pre-trial detention, he was released after more than three months, following strong public support and mobilization.
At La Parfumerie, “VERTIGES” by Catherine Tinivella Aeschimann takes us to the base of the Eiger’s north face, where five tourists follow the climb of mountaineer Ueli Steck. Turning simple observation into an intense immersion, they experience the emotions of Steck and his partner. This piece, a blend of sports commentary and alpine storytelling, delves into our connection with achievement and performance, while also recalling the ghosts of the Eiger’s victims. Directed by Tamara Fischer, this show offers a communal and introspective experience.
In French.
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