Objectif projet stages a darkly comic meeting of managers in a company that paradoxically has no project. Combining theatre and live song, the piece examines the corporate obsession with purpose and the absurd performativity of decision-making. Minimalist staging and musical passages create a claustrophobic, satirical atmosphere where authority and identity unravel. The production blends sharp text, vocal textures and physical choreography to probe contemporary workplace rituals.
In French.
Directed by Rémi Dufay, D’amour et d’eau fraîche is a stage adventure that celebrates movement, friendship and the unforeseen. Rémi Dufay and his ensemble probe margins and fragile frames, staging situations that slip away in a deliberately unsteady ceremony. The production blurs reality and magic, carrying the audience through a joyful, rocambolic wandering. A lively, generous performance that refuses stillness and favours continual transformation.
In French.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Frank Martin’s opera La Tempête, after Shakespeare with a libretto by August Wilhelm von Schlegel and Johann Ludwig Tieck, returns in a new French-language production. Conductor Thierry Fischer leads the score while director Netia Jones stages a striking conception that makes electricity the source of Prospero’s powers. The cast brings poetic intensity to the island’s drama—Miranda, Caliban and the spirit Ariel—blending vocal nuance, atmospheric design and inventive staging to revisit exile, magic and reconciliation.
In French.
An intimate morning concert presented by OCG, offering a refined selection of chamber repertoire and lyrical pieces. The programme privileges clarity of tone, delicate textures and expressive phrasing, creating moments of quiet reflection and radiant intensity. Chamber musicians engage in close musical dialogue, highlighting melodic lines and subtle dynamics. The performance favors attentive listening and rewards with emotional depth, delicate colours and a sense of shared presence.
Composed by Louis Crelier with a libretto by Valérie Letellier, Requiem ad Pacem is presented as a newly created oratorio led by conductor Antoine Marguier. The Orchestre des Nations joins Chœur Lyrica-Opéra and Chœur Pro-Arte de Lausanne, with Michel Voïta as récitant, to shape a ritual soundscape that balances solemn choral writing and intimate solo passages. The work meditates on mourning and the search for reconciliation, enveloping audiences in dense harmonies and austere, luminous textures.
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