Thursday 17 September, 18:00

Nuit des Bains

Nuit des Bains presents an evening when the city’s contemporary-art circuit opens as a collective exhibition. Emerging and established local and international artists activate spaces with installations, performance, painting, photography, and video, offering a multifaceted survey of contemporary practices. The event emphasizes encounter and the public imagination, revealing tensions between intimacy and urban spectacle, and questioning how art inhabits shared environments.

Genève,
Switzerland
Photo Credit: DR
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Photo Credit: DR

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2 September – 3 January

EXEM aux urnes – 40 Years of Political Posters brings together 40 political posters by Geneva-based illustrator EXEM between 1988 and 2023. Spanning nearly four decades of Swiss direct democracy, the exhibition explores the distinctive language of political posters at the intersection of graphic art, satire, and political commentary.

Through EXEM’s sharp and engaging imagery, the exhibition traces the political issues and communication styles that have shaped Swiss public life, and offers insight into the artist’s creative process and the stories behind his iconic posters.

Opening: Tuesday 1 September, 18:00

21 June – 21 September

Cécile Koepfli creates a site-specific window installation of colorful, poetic drawings. Mischievous characters, everyday objects, and fragments of text assemble into a playful, sensitive imaginary world. The works, rendered directly on window panes, unfold as tableaux and narrative vignettes that invite viewers to imagine the activities and encounters that will animate the space.
A seek-and-find game encourages close looking and slow discovery across the illustrated surfaces.

24 April – 3 January

An extensive survey assembled from a long-standing research collection devoted to glass, this exhibition takes a contemporary look at a millennia-old material. Over two hundred glass and mixed-media works, including sculptural objects, design pieces and installations, testify to a transdisciplinary experimental spirit. Featuring artists such as Ettore Sottsass, Pierre Charpin, Betty Woodman, Bob Wilson, Giuseppe Penone, Jana Sterbak and James Lee Byars, the show examines materiality, technique and the porous boundaries between craft, design and contemporary art.

Opening : Thursday 23 April, 18:00

Guided Tours (in French)

  • Sunday 26 April, 11:00
  • Sunday 3 May, 11:00
  • Sunday 7 June, 11:00
  • Sunday 14 June, 11:00

 

3 September – 1 October

On its 40th anniversary, the association Traditions pour demain commissioned five photographers from Bolivia, Ecuador and Guatemala to present documentary photographs portraying daily life, ancestral knowledge and resilience among Indigenous communities of Latin America. The series explores entangled crises—climatic, social and cultural—that shape their present, using intimate portraiture and landscape studies to reveal survival strategies, intergenerational transmission and forms of resistance. The work invites reflection on living traditions as sites of knowledge and hope.

12 July – 1 October

Photographer Florian Luthi’s Fantômes Météores is inspired by the 1954 wave of UFO sightings across France, especially along the Franco‑Swiss border. From one of these accounts he revisits childhood landscapes—mist‑shrouded forests, deserted villages and the Jura—and composes a photographic narrative where truth wavers and legends endure. The series uses long exposures, muted palettes and staged absence to probe memory, collective fear and the boundary between documentary and myth. A collaboration with Fondation Convergences.

Artist talk with Florian Luthi Thursday 27 August 2026, 18:30
In French

30 May – 27 September

This exhibition explores the careers of Édouard Naville, Switzerland’s pioneering Egyptologist, and his wife Marguerite Naville, whose contributions alongside him are now recognised in their own right. Through archival documents, excavation records and pharaonic objects, the presentation illuminates their archaeological practice and Marguerite’s role, while situating their work within the political, religious and humanitarian commitments that shaped scholarly life at the turn of the twentieth century.

In French and in English.

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