Between sharp jokes, slaying voguing, and moments of poetry, Noam Sinseau takes us on a unique journey from Martinique to Paris. Identity, emancipation, and glitter are on the program in this show, where Noam breaks the mold with humor and sincerity. Get ready to become superstars! Book your tickets for this wild celebration of difference and freedom.
In French.
Directed by Gabriel Sparti, Menace Chorale follows an amateur town choir drawn into a tightening ideological mechanism under a charismatic new conductor. The piece uses vocal textures and staged rehearsals to contrast luminous harmonies with the unsettling meanings behind their repertoire, sketching a miniature society where desire, ambition and collective pressure calcify into authoritarian dynamics. Through subtle disruptions, layered readings and meticulous sound and lighting textures, the production feels at once funny, eerie and incisively political.
In French.
Double Jeu is a sharp, playful improvisation show built around strategy, split-second choices and mutual misdirection. Each performer receives a secret mission and must weave it discreetly into the action, turning every scene into a live game of influence, bluff and comic escalation. The result is fast, unpredictable theatre where the ensemble’s timing, listening and inventiveness keep the audience guessing until the very last exchange.
In French.
Sir András Schiff and Evgeny Kissin join at the piano for an intimate programme of pieces for two pianos and four hands. They perform Mozart’s Sonata in D major, KV 448, Schumann’s Andante and Variations, op. 46, and Bilder aus Osten, Smetana’s La Moldau in the four‑hand arrangement, plus selected Dvořák Slavonic Dances. The recital balances classical clarity with Romantic depth, highlighting refined ensemble interplay and the contrasting voices of two towering virtuosos.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Matthieu Llodra and Valentin Liechti reunite as a duo to revisit their electronic roots in a set that blends improvised performance with the rhythmic energy of House, Jungle and Broken Beat. Drawing on fifteen years of collaboration, they offer a dance-focused homage to 1990s club culture, where live interplay and spontaneous textures meet propulsive grooves and layered samples. The evening promises an exploratory, club-oriented soundscape that balances nostalgia with improvisational freedom.
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