Sir András Schiff and Evgeny Kissin join at the piano for an intimate programme of pieces for two pianos and four hands. They perform Mozart’s Sonata in D major, KV 448, Schumann’s Andante and Variations, op. 46, and Bilder aus Osten, Smetana’s La Moldau in the four‑hand arrangement, plus selected Dvořák Slavonic Dances. The recital balances classical clarity with Romantic depth, highlighting refined ensemble interplay and the contrasting voices of two towering virtuosos.
Samir Kennedy and Sean Murray present “It’s got legs!!!!!!” at Maison Saint-Gervais. Their performance delves into economic, social, and intimate precarity by engaging with femininity, masculinity, liminal identities, and queer existentialism. Embracing a DIY aesthetic, recycled objects, and theatrical machinery, they craft a raw microcosm for a bold, subversive revue that explores the dizzying complexity of existence.
In French.
Led by Christophe Godin, this quartet—Lynn Marring (bass, vocals), Pierre Michel (guitar, vocals) and Peter Puke (drums, vocals)—delivers a celebratory, high-voltage rock rooted in razor-sharp guitar lines and a massive groove. Rich backing vocals weave through propulsive rhythms and dense riffs, alternating between punchy drive and expansive melodic surges. The sound favors warmth and exuberance, offering a communal, feel-good energy that foregrounds instrumental precision and joyful immediacy.
Public Rehearsal: Thursday 4 June, 16:30
Students present a series of performances showcasing pieces developed during the academic year. The programme includes solo and ensemble works across music, theatre and experimental forms, emphasising collaborative creation, stylistic exploration and stagecraft. Intimate presentations alternate with more elaborate stagings, highlighting movement, sound design and dramaturgy. The series offers a window on emerging talent and the diverse approaches fostered in the teaching environment.
Directed by Claude Vuillemin, Yasmina Reza’s Trois versions de la vie assembles four performers, Laurent Deshusses, Marie Druc, Sophie Lukasik and Nicolas Rossier, in a taut, virtuosic staging. Lighting by Rinaldo Del Boca and costumes by Sylvie Lépine shape shifting domestic realities as the play probes how social veneer fractures intimate relationships. This production by Les Amis – Le Chariot demands precision and emotional nuance from its cast.
In French.
Sara Oswald blends cello and voice into an intimate, mountain‑inflected sound world. The Vaud-born cellist presents selections from her 2022 solo album Bivouac, where bowed textures, plaintive melodies and sparse electronics conjure high-altitude atmospheres. Her work with Les Young Gods, Sophie Hunger and Pascal Oberson feeds an experimental yet lyrical approach. On stage she alternates fragile lyricism and raw resonance, shaping concentrated moments of reflection that linger in the listener’s memory.
Directed by François Marin, this intimate staging examines the fraught passion between Martin Heidegger and Hannah Arendt against the moral upheavals of Nazi Germany. Mario Diament’s text, adapted by André Nerman, traces a forbidden love between a philosopher and his student, probing complicity, memory and the struggle to reconcile heart and conscience. Sabrina Martin and Frank Semelet inhabit the roles with spare, intense performances, supported by a precise, austere mise en scène that foregrounds emotional conflict and ethical ambiguity.
In French.
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