Ne m’attends pas… is a poetic puppet theatre piece by the French company La neige sur les cils, conceived and performed by Vera Rozanova. Using glove puppets, shadow theatre and video, and a stage apparatus inspired by Calder mobiles, the show stages delicate balances of movement and form. It follows a man who searches for his drifting home and, through encounters, explores exile, resilience and cultural between-ness, suggesting that unknown words can be understood by the heart.
In French.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
Born in Rio de Janeiro, Bella Nobre grew up immersed in music alongside her father, a musician and producer, shaping an early universe between soul and tropicalism. After success in Brazil she settled in Switzerland, forming a tight ensemble for a colourful, festive live project driven by collective energy. Noted on stages such as the Montreux Jazz Club, she emerges as an authentic, bold and internationally minded artist whose performances blend warmth, rhythm and luminous vocals.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
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