Natalia Doco is an Argentine singer, songwriter and musician whose singular voice blends Indigenous heritage, spirituality, urban pop and creative freedom. On stage her presence becomes a collective celebration: a poetic trance that invites movement and close listening. In Hacha, her new album, she takes a bolder step, exploring emancipation, transformation and feminine power through a more urban, sharpened musical language. The performance balances intimacy and radiant generosity.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
Cosmic Impro and Compagnie des Murmures join forces for a double-bill of high-energy improvisation. Four performers compete in a chaotic Battle Royal of mini-games and absurd challenges, where audience choices steer the action. Later, Sokkyo, an improvised shōnen, channels epic fights, friendship and soaring emotion with punchy physicality and comic timing. The evening combines playful competition and heroic spectacle, offering visceral thrills and collective laughter.
In French.
Conductor Eva Ollikainen leads a programme juxtaposing contemporary and romantic Finnish voices with international mastery. Soprano Anu Komsi and cellist Lionel Cottet join the orchestra for Kaija Saariaho’s Mirage, Jean Sibelius’s Fantasia The Daughter of Pohjola and the symphonic poem Luonnottar, and Tchaikovsky’s deeply expressive Sixth Symphony, the ‘Pathétique’. The evening unfolds through rich orchestral colours, luminous vocal writing and a sweeping narrative arc.
Created by Manon Bril and Etienne Lautrette and directed by Théo Comby Lemaitre, this hybrid lecture-performance blends scholarly rigour with theatrical wit. Historian Manon Bril guides the audience through surprising episodes of human history, overturning assumptions with a sharp, offbeat humour and playful staging. The show mixes clear popular-science explanation, theatrical images and comic timing to reveal that nothing has “always been like this”.
In French.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
UNDERCOVER is a tight trio of singer-guitarist, bassist and drummer, delivering a high-energy set of cross-generational covers. Their repertoire blends reggae, funk, pop, rock and chanson française, moving from Bob Marley and Marvin Gaye to AC/DC, The Beatles and MC Solaar. The performance alternates driving grooves and soulful breaks, inviting spontaneous interplay and a communal blues jam afterward. The evening emphasizes raw musicianship and the joy of live exchange.
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