Performed by Fred Radix, La claque revives the forgotten craft of the claqueurs — professional applauders — in a witty, refined one-man theatre piece. Set in a Parisian playhouse of 1895, Radix embodies Auguste Levasseur, who must recruit a new team with the help of Fauvette, musician, and Dugommier, stage manager. The show blends interactive, poetic and musical moments, shattering the fourth wall to make theatre vividly present.
In French.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
Jaune is a fresh stage piece created and performed by recent graduates Mathis Josselin and Gabrielle Pialoux. This first collaboration explores the many faces of the colour yellow — joy, friendship, tenderness, desire and its more ambivalent edges — with an intimate, playful and sincere theatrical language. The creators blend minimal staging and tactile gestures to produce a concise, evocative hour of shared emotion and quiet humour.
In French. Created for the Fête du théâtre 2026.
Zamakan is a trio led by Egyptian saz master Abdallah Abozekry, guitarist Baptiste Ferrandis and Indo‑Helvetic violinist Baiju Bhatt. Their oriental jazz blends original compositions with improvisation, weaving vigorous rhythms and drifting poetic reveries. The music foregrounds multicultural identities and adventurous interplay: Abozekry’s hypnotic saz, Ferrandis’s inventive guitar and Bhatt’s virtuosic violin create layered textures that move from intimate stillness to incandescent intensity. Their new album Dans le ventre de la nuit frames the project as an assertion of bold, global creativity.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
With an authentic, melancholic yet luminous voice, Dinaa transforms personal stories into songs. As singer-songwriter and composer she spent two years on the road alone with her guitar, giving more than a hundred concerts and sharing stages with renowned artists. Her debut album, Maison Vide, blends pop-rock, blues-soul and hip-hop–infused lyricism to map a raw emotional territory, singing of love, fractures and inner struggles with sincerity and restrained power.
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