Artist Gautier Hardy presents ‘Kids Garden’, a series of works that inhabit a territory between childhood and the adult world. Through open diary fragments and an instinctive plastic language that draws from art brut, street art and neo‑expressionism, the exhibition brings together paintings, drawings and mixed‑media pieces. The works explore memory, play, and the uneasy passage to adulthood, using gestural mark‑making and raw materials to evoke intimacy and emotional intensity.
Measures of Infinity brings together works by Susanna Bauer, Frankie Gao and Carol Prusa in a contemplative exhibition of drawings, installations and meticulously crafted objects. Bauer transforms fragile leaves into intricate, almost meditative compositions; Gao offers pared-back drawings and open installations that evoke cosmic structures; Prusa constructs pieces informed by scientific models and unseen phenomena. Across scale and material, the show explores perception, precision and the tension between the intimate and the vast, inviting close looking and slow attention.
Charlotte Qin and Tessel van der Putte present an exhibition of porcelain installation and paintings that treats water as both element and metaphor. Curated by Frédéric Elkaïm, the works shift the focus from control and extraction toward ecological, emotional and feminine inquiry. A central porcelain installation evokes aquatic creatures and the fluid forms of coral and blossom, while paintings explore the body as a permeable landscape, probing materiality, vulnerability and collective care.
Opening: Thursday 7 July, 18:00 – Performance of Charlotte Qin
Painter Elise van den Brand examines figurative painting and the dynamics of the gaze in a new body of work. Through cropped portraits and fragmentary compositions she interrogates the tension between how subjects intend to be seen and how viewers project narratives onto images. The exhibition draws on Sartre’s notion of le regard, explores social armour as protective presentation, and probes the instability that emerges when contextual markers are removed, exposing ambiguous subjectivities.
Genevan artist Gérald Grosjean presents a focused series of paintings and handcrafted maquettes that examine industrial and railway landscapes. The show gathers twenty-seven canvases and three models made from reclaimed materials, emphasising a pointillist approach to structures such as stations, bridges, dams, factories and viaducts. Through meticulous dots and assembled found objects, Grosjean explores the aesthetic presence and collective memory of infrastructure, inviting reflection on material reuse and the visual poetry of engineered landscapes.
Opening : Tuesday 19 May, 18:00
Artists Chloé Delarue, Miriam Laura Leonardi and Gaia Vincensini, curated by Manuella Denogent, present a group exhibition that interrogates systems of representation, value and desire in contemporary society. Through sculpture, installation, photography, video, object-making and light-based interventions, the works reconfigure familiar forms and visual codes to reveal hidden hierarchies and emotional economies. The exhibition emphasises material experimentation and spatial strategies, inviting reflective engagement with how images and objects shape social meanings.
Opening; Thursday 2 July, 18:00
Senegalese artist Adji Diouf presents a solo exhibition of paintings that move between figuration and abstraction. Colour structures the compositions, with warm, luminous palettes where the gaze becomes an anchor in abstract fields. Recurrent cultural motifs emerge across canvases, informing a poetic and visual vocabulary. The show highlights the artist’s sustained practice and pictorial exploration of memory, identity and transmission through layered surfaces and rhythmic forms.
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