Piece of Love is a collective exhibition inspired by Michelangelo Pistoletto’s Third Paradise, bringing together student projects and works by around fifteen international artists. Dedicated to life, humanity and peace, the exhibition explores our relationship with nature, each other and the world around us, inviting visitors to imagine a more sustainable and harmonious future.
Opening: Tuesday 8 September at 17:00
The Acedia project by French photographer Louise Desnos offers a contemplative photographic exploration of slowness, fatigue and intimacy. Through sensitive, minimalist compositions and staged portraits, Desnos elevates inertia and non-events into a quiet poetics. The series examines idleness as resistance, a space for introspection and for reclaiming autonomy. Photographs emphasize material textures, soft light and the presence of bodies at rest, inviting viewers to reconsider cultural prejudices about productivity and rest.
Swiss collective PROJEKTIL stages the emergence of life through an immersive audiovisual installation. Site-responsive animated projections and sculptural light sequences transform walls and ceilings, accompanied by an atmospheric musical score. Using cutting-edge technology and layered animation, the work evokes cosmogony and the fragile origins of existence, inviting reflection on formation, scale and temporal unfolding. The piece reveals how digital media can translate primordial themes into sensory, architectural experience.
Science with a lake view. Hidden inside the elegant Villa Bartholoni, this small museum is packed with historic instruments linked to astronomy, electricity, microscopy, and meteorology. A charming detour through Geneva’s surprisingly rich scientific past — with Parc Mon-Repos right outside.
Live Language Model brings together a collective exhibition that unfolds across successive sequences, presenting works and critical reflections on attention at the intersection of language and presence. The programme features performance-based pieces by the duo Calling the Operator (Axelle Stiefel and Octave Magescas) alongside new editions and sculptural installations by Thomas Hirschhorn and Olivier Mosset. Through typographic interventions, printed matter, performance and austere minimal forms, the project interrogates how language conditions perception and the social life of objects.
Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.
Stéphane Ducret presents Being Matters, an immersive series of recent paintings that map psyche and the living realm. The presentation gathers seven large to very large oil paintings on linen alongside a series of small-format works on wood. Through layered surfaces, deliberate errors and a dense pictorial process, Ducret explores invisible mechanisms of thought, memory and introspection. The works function as atmospheric studies of materiality and painterly gesture, charting states of mind and organic presence.
Visit by appointment with Stéphane Ducret: +41 76 385 6888
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