16 – 20 September

Geneva Art Week 3

Geneva Art Week is a vibrant celebration of contemporary art that brings together galleries, museums, foundations, independent spaces, and artists through an inspiring program of exhibitions, performances, studio visits, talks, screenings, and immersive experiences. Designed as a citywide journey through creativity, the event transforms Geneva into an open platform for artistic discovery, encouraging dialogue between the public and the local and international art scenes in a dynamic, festive, and accessible atmosphere.

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Photo Credit: DR

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6 May – 10 January

Mi Mawai and Madzerokai present an immersive audiovisual installation born from a residency exchange between the Brazilian Amazon and Geneva. The work invites immersion in Baniwa cosmology through video, layered soundscapes, flutes, traditional singing and dance. Visitors are invited to lie in hammocks and on mats for contemplative encounters with projected landscapes and ritual sonic textures. The piece foregrounds ancestral knowledge, collective memory and multisensory modes of storytelling.

3 July – 5 September

Intermezzo, Part 1 & 2 brings together works by Vincent Fournier, Franz Gertsch, Fabrice Gygi, Thomas Huber, Pierre Schwerzmann and Franz Erhard Walther. The group show stages a dialogue between photographic practice, painting and sculptural or performative interventions, highlighting contrasts of scale, materiality and pictorial space. Through composed images, painted surfaces and tactile objects, the exhibition considers modes of representation and the viewer’s bodily relation to works, encouraging slow looking and attentive spatial experience.

21 May – 31 August

Senegalese artist Adji Diouf presents a solo exhibition of paintings that move between figuration and abstraction. Colour structures the compositions, with warm, luminous palettes where the gaze becomes an anchor in abstract fields. Recurrent cultural motifs emerge across canvases, informing a poetic and visual vocabulary. The show highlights the artist’s sustained practice and pictorial exploration of memory, identity and transmission through layered surfaces and rhythmic forms.

30 May – 27 September

This exhibition explores the careers of Édouard Naville, Switzerland’s pioneering Egyptologist, and his wife Marguerite Naville, whose contributions alongside him are now recognised in their own right. Through archival documents, excavation records and pharaonic objects, the presentation illuminates their archaeological practice and Marguerite’s role, while situating their work within the political, religious and humanitarian commitments that shaped scholarly life at the turn of the twentieth century.

In French and in English.

16 July – 13 October

Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.

Opening: Thursday 16 July, 18:30

4 June – 25 July

Christine Gaillard and Chantal Carrel present a dialogue between painting and sculpture that probes transparency as an experience of light, space and perception. Gaillard’s paintings employ layered surfaces, subtle rhythms and luminous chromatic variations to invite inward contemplation. Carrel’s sculptures—crafted in resin, stone and wood—play with geometry, refraction and shadow, activating volume and architectural relationships. Curated by Myriam Bongard-Stadler, the exhibition explores how materiality and light disclose hidden depths and questions of gaze.

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