Choreographers and performers Katerina Andreou and Mélissa Guex devise SHOUT TWICE as a physical, hybrid concert-performance where the body and voice become material. The piece transforms raw cries into collective energy, mixing movement, vocal textures and improvised dynamics. Intense and immediate, the work invites shared ritual, opening space for excess, play and communal release. The staging is nomadic and non-verbal, driven by bodily resonance and embodied sound.
Rock on Stage Classic is an event offering musicians of all skill levels the chance to perform on stage, guided by André Schmid, the former lead singer of the Geneva band Ça va chier. Participants can perform solo, with their own accompanists, or be supported by a team of professional musicians.
Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.
In French.
Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.
In French.
Hend Jouda performs a powerful Arabic reading that traces the experience of war, precarity and the fragile hope of renewal. Her voice, carried among intimate anecdotes and universal gestures, fragments everyday life while carving a poetic space. Translator and collaborator Henri Jules Julien provides a reflective translation and outside perspective, and Youness Atbane shapes the sound environment to heighten textures and silence. Presented with French surtitles, the performance balances urgency and tenderness.
The play “Coloscopie d’un supermarché” by Marie van Berchem and Vanessa Ferreira Vicente, showcased at Maison Saint-Gervais, follows Melissa as she navigates the Micop supermarket, where she finds meat eerily resembling human bodies. Blending documentary with satire, the fiction critiques overproduction, the absurdity of capitalism, and manipulative sales tactics, delving into the pitfalls of a consumer-driven society.
In French.
Now in its 28th edition, Voix de Fête gathers a chorus of francophone voices across nearly fifty concerts on a dozen stages. The programme juxtaposes rap, chanson, electro and world musics, presenting artists such as Oxmo Puccino with guest Yao, Vincent Delerm, MPL, Les Fils du Facteur (with Compagnie des 10 Doigts en Cavale in a chant‑signed project), Sam Sauvage, Marguerite, GiedRé and others. A tribute to Michel Bühler brings several interpreters together, while spontaneous jam nights and collaborative sets foreground live intensity and cross-genre dialogue.
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