The play “Coloscopie d’un supermarché” by Marie van Berchem and Vanessa Ferreira Vicente, showcased at Maison Saint-Gervais, follows Melissa as she navigates the Micop supermarket, where she finds meat eerily resembling human bodies. Blending documentary with satire, the fiction critiques overproduction, the absurdity of capitalism, and manipulative sales tactics, delving into the pitfalls of a consumer-driven society.
In French.
Lokos Festival gathers emerging local bands in a raw, communal rock spirit. The programme spotlights young ensembles such as BLAYWEZZ, TEMPLOW, THE HOODS OFF, PROJET WIPEOUT, ANGUILLE SOUS MANGUE and ARCANE, each offering energetic sets that blend garage grit, melodic hooks and experimental textures. Curated by a collective of scene producers, the evening emphasizes live intensity, rough-edged sonorities and audience proximity, shifting between urgent rhythms and quieter, atmospheric moments—an intimate snapshot of a rising musical scene.
At La Cité Bleue, Bach and the Bible is a powerful and intimate performance by director Omar Porras and pianist Cédric Pescia. The show weaves together sacred biblical texts and Bach’s keyboard music, exploring the deep spiritual dialogue between word and sound. Porras voices the Gospels, Psalms, and prophecies, while Pescia delivers a luminous, heartfelt interpretation of Bach’s meditations.
Neither a recital nor a theatrical reading, the performance invites audiences—believers or not—to rediscover the universal spiritual depth of Bach’s music rooted in the Bible, creating a moving journey of meaning, beauty, and silence.
Adapted by Cie Le Magnifique Théâtre from Alessandro Baricco’s novella, Novecento is a maritime fable directed by Julien Schmutz. Actor Michel Lavoie embodies the narrator while pianist-composer Max Jendly conjures nightly jazz waves that shape the piece’s soundworld. The staging transforms stage into ship, where music becomes horizon and memory, blending poetic storytelling and live piano improvisation. The production favours a dreamlike, suspended atmosphere that explores solitude, belonging and the liberating force of music.
In French.
Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.
In French.
Festa Mediterranea gathers musicians, dancers and tradition-bearers from Southern Italy in a celebration of communal ritual and seasonal renewal. Rooted in popular cultures, the program threads fervor, humour and virtuosic technique through concerts, a communal bal and dance workshops. Textures of voice, percussion and folk stringed instruments conjure pastoral landscapes, proposing an ecology of sound where heritage is continuously reinvented. The experience is both exuberant and intimate, inviting shared movement and attentive listening.
A man performs on stage, sharing a personal reflection alongside his family, friends, therapist, colleagues, and ex-partners. In seven acts, he delves into pivotal anecdotes to question gender imperatives from childhood to adulthood. The play, “Le Premier Sexe,” addresses the journey from oppression to emancipation and the shift from toxic masculinity to a distinctive masculine identity. Produced by Compagnie Passages, with Mickaël Délis responsible for both writing and directing, in collaboration with Vladimir Perrin and other artists.
In French.
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