Presented at the Festival CDD, Jésus Triste follows a gang of bus fare dodgers seeking a line of flight to walk between the drops of the worst empire that governs them. Performed by a tight ensemble, the piece mixes grotesque humor and bleak poetry, using physical theatre, rhythmic text and stripped-back staging to evoke precarious survival and collective resistance. The production balances tenderness and fury in an unsettling, poetic atmosphere.
In French.
Douglas Vanille is an intergalactic DJ performance merging live indie dance rhythms with dark disco textures. After fleeing the destruction of his home planet Kiwi32, the solitary DJ pilots a tiny vessel while pursued and battered by cosmic hazards. On stage the audience becomes his crew and the room a cockpit, guided by propulsive grooves and luminous sound design. Accompanied by his robotic companion K‑R4MEL, the show invites sustained movement and nocturnal reverie.
But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.
They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”
In French.
This performance investigates vocal plasticity, improvisation, and emotional communication, frequently in collaboration with museums and contemporary art spaces. Combining musical and choreographic improvisation, it questions the dominant frameworks and hierarchies embedded in language.
The Apéro Concert d’Été offers a relaxed and convivial musical experience that blends live performance with the spirit of Geneva’s summer evenings. Bringing together audiences in an intimate and festive atmosphere, the event combines quality music, cultural discovery, and social exchange around an open-air apéritif setting. Designed as a moment of encounter and celebration, it highlights local artistic talent while creating a warm and accessible space where music, conversation, and seasonal conviviality come together naturally.
Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.
In French.
Trained as an actress and inherently intense, Judith*G is a DIY pop star who transforms sleepless nights into joyously cathartic songs. Her witty, heart‑piercing lyrics sit atop catchy melodies, nostalgic synth‑pop and 90s electro‑rock guitars. Humour, self‑deprecation, handmade merch and playful movement complete a raw, energetic stage persona that invites both laughter and close‑up emotional moments.
In French.
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