Wednesday 4 November, 14:00

History and discovery of an exceptional greenhouse

Free, booking required

Baroness Julie Caroline de Rothschild’s 19th‑century greenhouse, built in the 1880s from Canadian Pitch Pine, presents a living archive of botanical rarities. Succulents, palms, citrus and orchids stand alongside the iron-and-glass architecture, revealing intersections between horticulture, material craft and colonial-era plant collecting. The greenhouse’s preserved structure and curated plant collections evoke histories of taste, conservation and botanical display. Gardeners who tend the living holdings continue a dialogue between historical legacy and contemporary stewardship.

Chemin de l'Impératrice 1,
1292 Chambésy, Switzerland

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Photo Credit: Jardin Botanique de Genève

4 June – 9 August

Alibert and the Arve: Writings of the River

Art & Exhibits

Musée de Carouge

Painter Éric Alibert presents a sensitive, meditative body of work inspired by the banks of the Arve. Using Chinese ink and watercolor on Japanese papers, his small-format writings of the living observe the discreet presences of urban wildlife. Through careful observation Alibert explores passages between interior and exterior, appearance and disappearance, proposing a contemplative, ecological gaze that brings wildness into the city and invites reflection on fragility and coexistence.

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6 June – 29 March

Julian Charrière: Hard Core

Art & Exhibits

Galerie Olivier Varenne

Julian Charrière presents a major project that traces geological, climatic and planetary time through sculpture, installation, film and photography. Using stone, ice, coal, lava, metals and fossil matter as both material and subject, the works examine entangled histories of nature, extraction, industry and myth. Charrière compresses deep timescales into sculptural processes — coring glacial boulders repaired with precious metals, mechanically transforming ancient rocks, and reframing extractive landscapes as sites of destruction and wonder.

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2 July – 10 October

Minor Tides

Art & Exhibits

Espace Ami Lullin

Minor Tides brings together three young photographers — Lina Geoushy, Sarah Jade Sullivan and Farren van Wyk — who centre portraiture in work that interrogates family histories and cultural heritage.

Through staged and documentary photographic portraits, the artists examine collective identity, colonial legacies and processes of reclamation: Geoushy revisits pioneering women in Egypt’s past; Sullivan documents youth in Saint Vincent and the Grenadines navigating economic and colonial afterlives; van Wyk stages family portraits that rework violent colonial iconographies and affirm mixed identities. The exhibition traces subtle currents of change beneath visible histories.

Opening: Wednesday 1 July, 18:00

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29 January – 25 October

Observatories — Carte blanche to John M Armleder

Art & Exhibits

MAH

John M Armleder presents an interchange-based exhibition that foregrounds objects drawn from students’ suitcases. Through object-based works and subtle interventions, the show probes modes of observation, intimacy and collective memory. Personal belongings are rearranged as visual prompts that evoke histories, pedagogy and everyday cinematics. The artist’s restrained interventions invite reflection on how small domestic items circulate meanings and facilitate encounters, revealing how private narratives surface within a communal field of attention.

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21 May – 30 August

Five Mini Shows

Art & Exhibits

Galerie Olivier Varenne

Five Mini Shows presents distinct exhibitions across separate rooms, bringing together major figures of Australian Aboriginal painting alongside contemporary painting, installation, drawing and sculpture. Works by Clifford Possum Tjapaltjarri, Mirdidingkingathi Juwarnda Sally Gabori and Gabriella Possum Nungurrayi sit next to new and historical painting by John Armleder, expansive installations by Chiharu Shiota, sculptural interventions by Balint Zsako and drawing-based work by Rachel Marks. The programme explores materiality, relational display and dialogues between indigenous traditions and contemporary abstraction.

Opening: Thursday 21 May, 18:00

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16 July – 13 October

PlasMAH: Flesh and the Siphon

Art & Exhibits

MAH

Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.

Opening: Thursday 16 July, 18:30

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History and discovery of an exceptional greenhouse