Formed in Belfast, Kneecap — Mo Chara, Móglaí Bap and DJ Próvaí — wield Irish Gaelic as a fiercely political instrument. Mixing Irish‑language rap, heavy bass, hip‑hop and rave energy, their FENIAN Tour channels songs from Fine Art and the film inspired by their story. The trio confronts identity, youth alienation and resistance with raw lyricism and pounding rhythms, producing a confrontational, euphoric live experience where urgency and communal release collide.
Genth’orgue 3 presents a varied festival exploring the organ in all its guises. Programs range from organ paired with Ondes Martenot (with Vincent Thévenaz and Jacques Tchamkerten), to a cine-concert accompaniment for Buster Keaton curated by Nathalie Effenberger, a recital titled “La scène aux femmes!” (Elisabeth Hubmann), and the theatrical spectacle‑concert “Le banquet des rois” for medieval ensemble, organ, choir and narrators. The emphasis is on timbral contrasts and ritual drama.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Pour célébrer son 15e anniversaire, le Festival Assemblage’s invite certaines des compagnies qui ont le plus marqué son public ces dernières années à présenter leurs nouvelles créations. Réunissant des artistes venus de toute l’Europe et ouvrant cette édition 2026 avec une grande comédienne genevoise, le festival promet une programmation exceptionnelle de théâtre et de spectacles contemporains.
Reuniting after roughly thirty years, Dazzling Killmen return with a fierce, uncompromising sound that blends pre/math rock, post-metal, hardcore-punk and jazz-core textures. Their intense, tightly wound compositions unfold with brute energy and intricate rhythms. The evening also features a specially curated DJ set by Passage de Disques (Bamba Triste and Fuxy Lady), weaving experimental grooves that complement the live assault and expand the night’s sonic palette.
Please adjust your criteria to see more results.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
Culture, curated weekly.
Event removed from your CoolAgenda.
