24 – 25 March

Épopées

FURTHER AFIELD

After Désobéir and La Tendresse, Julie Bérès continues to explore identity through the prism of civil disobedience in Épopées. Young men and women from Iran, Afghanistan, Russia, Israel and Palestine bear witness through dance, song and music; their artistic practices become sources of resilience and defiance. Between gravity and humour, truth and fiction, the piece weaves intimate testimony and political urgency into a sensitive theatre where collective vitality reshapes perceptions.

Rue Genève 154,,
Switzerland
{"title":"\u00c9pop\u00e9es","description":"FURTHER AFIELD\r\n\r\nAfter D\u00e9sob\u00e9ir and La Tendresse, Julie B\u00e9r\u00e8s continues to explore identity through the prism of civil disobedience in \u00c9pop\u00e9es. Young men and women from Iran, Afghanistan, Russia, Israel and Palestine bear witness through dance, song and music; their artistic practices become sources of resilience and defiance. Between gravity and humour, truth and fiction, the piece weaves intimate testimony and political urgency into a sensitive theatre where collective vitality reshapes perceptions.","start_date":"2027-03-24","end_date":"2027-03-25","date":"24 - 25 March","timings":[{"timing_start_date":"20270324T080000Z","timing_end_date":"20270324T160000Z"},{"timing_start_date":"20270325T080000Z","timing_end_date":"20270325T160000Z"}]}
Photo Credit: DR

You might also like

9 – 10 October

With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.

In French.

8 October – 14 November

Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.

In French.

6 – 18 October

Directed by Fanny Brunet and Carole Schafroth, this theatrical adaptation of Daniel de Roulet’s novel follows ten young women who emigrate to Patagonia to found an egalitarian anarchist community. Using object theatre, the production blends storytelling, projected images and reflective passages to probe anarchist utopias, working-class conditions, migration and the marginalised role of women in history. The staging is intimate and inventive, inviting thought and emotion through tactile imagery and poetic gesture.

In French.

7 – 11 October

Amor follows a forty‑something couple, attached yet weary from routine, confronting unspoken truths and the pull toward emancipation. This intimate, humanist theatre piece probes love’s contradictions—between inherited models and contemporary norms—through subtle staging and concentrated performances. Marjolaine Minot and Guillaume Prin embody the emotional shifts with delicate nuance, drawing the audience into a relational interior where choices, desire and restraint collide.

In French.

Friday 9 October, 21:00

The Icelandic quartet ADHD presents their tenth album, ADHD 10, continuing an exploration between jazz, ambient, rock and folk. Simon Frith describes it as “a desolate quietude… Nordic, neither urban jazz nor rural folk.” Their immersive, sensory sound transcends genres, offering an intense concert blending new material with signature pieces. The group—Óskar Guðjónsson (saxophones), Ómar Guðjónsson (guitar, pedal steel, bass), Tómas Jónsson (piano, keyboards) and Magnús Trygvason Eliassen (drums)—creates spacious, contemplative textures that evolve into powerful, lyrical climaxes.

25 September – 18 October

For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.

In French.

Oops! It seems there
are no events matching your selection!

Please adjust your criteria to see more results.

Password was reset

Your password has been reset successfully. You can now log in with your new password.

Check your Inbox

We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.

Thank you!

Please check your inbox for a verification email to complete your sign-up.

Newsletter

Culture, curated weekly.

Add to Calendar

Select the date to be saved in your Google calendar.

calendar placeholder

Done!

Event removed from your CoolAgenda.

Yeah!

Event Saved to your CoolAgenda

Add to CoolAgenda

In your CoolAgenda

Date

Title

Location

Description

calendar placeholder

Reset password

Forgot your password?

Sign Up

Create your Account and Culture Up!