Flutist Emmanuel Pahud and pianist Eric Le Sage present a programme of classical and romantic gems by Wolfgang Amadeus Mozart, Clara Schumann and Robert Schumann. Pahud’s own adaptations for flute and piano bring a fresh intimacy to the music, highlighting lyrical phrasing and subtle chamber dialogue. The recital balances clarity of line with warm, expressive colours, offering a contemplative and richly textured listening experience focused on nuanced interaction between soloist and piano.
An evening of raw punk energy featuring Total Chaos, Call the Cops, Carottes Sanguines and Violence Grise. The line-up celebrates the independent scene with short, intense sets, communal apéritif moments, shared food and a few surprises. Expect loud, direct performances, close audience interaction and a DIY atmosphere where bands and crowd blur together. A welcoming but raucous night aimed at grassroots music lovers.
Brigade financière stages a tense, chamber drama by Hugues Leforestier that confronts the logic of contemporary finance. Under Antony Mettler’s direction, Christian Gregori and Maria Mettral embody a sharp, cerebral duel between a financial crimes commissioner and an accused executive. Christian Gregori also signs scenography and costumes while Florian Cuellar sculpts the lighting. The production blends police-procedural suspense with satirical intelligence, probing power, privilege and the contradictions of today’s economic system.
In French.
Discover a gentle ballet where a little boy finds the magic of flowers and his path as an artist. Through delicate classical movement, vivid colors and playful choreography, children watch a poetic story unfold, encouraged to follow gestures, music and blooming scenes. The show offers a calm, sensory experience that sparks imagination and early appreciation of dance.
In French. Kids ages 2 and up.
Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.
It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.
In French.
Balades Théâtralisées invites audiences on an outdoor theatrical promenade that uncovers hidden city histories through staged scenes in natural settings. The troupe blends guided narration with short dramatic tableaux, favouring emotional resonance over strict historical reenactment. Soundscapes and simple lighting sculpt nocturnal and intimate atmospheres, while performers shift between storytelling and embodiment. The route alternates between the company’s traditional itinerary and a new underground-themed walk, creating a layered experience of memory, surprise and communal discovery.
In French.
Les yeux grand fermés is a durational radio-art project presented within a sound art biennial that stages listening as a sculptural practice. Curated by Clara Alloing, Céline Carridroit and Marie Jeanson, the programme gathers archival and contemporary radio creations — broadcasts, podcasts and performative transmissions — into a sequence of listening sessions, performances and nocturnal experiments. Themes of disappearance, mediation and the politics of FM airwaves inform an attentive, darkened setting designed to foreground sonic narratives and the materiality of listening.
In French.
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