Célia Wa is a singer, flautist and multi-instrumentalist from Paris with deep ties to Guadeloupe. She forges a Karibfutursound where Caribbean traditional rhythms—especially gwo ka—meet electronics, soul, jazz and hip‑hop. Her flute winds luminous lines through textured percussion, machines and bass, weaving ancestral grooves into contemporary club-inflected spaces. In collaboration with Maquis Dékalé, the project balances rooted tradition and futuristic dancefloor energy.
Ky‑Mani Marley blends reggae, hip‑hop, RnB and dancehall in a dynamic stage show rooted in his Jamaican heritage. He revisits anthems from his father Bob Marley alongside early recordings and more recent material, moving between soulful vocals, rhythmic grooves and spoken-word elements. A seasoned collaborator with international artists, Ky‑Mani delivers an energetic, genre-crossing performance that balances reverence for tradition with contemporary urban influences.
Directed by Françoise Courvoisier, Les Glycines is a new creation by the TAC ensemble that examines the theme of madness through comic and reflective lenses. Performers including Nicole Aubert, Loulou Morisod, Catherine Vaucher, Zamila Yunus, Patrice von Büren, Claude Morex and Daniel Mouchet use improvised confidences to weave reality and fantasy. The staging blends intimacy and humour, shaping a tailored theatrical work for this company. Produced by Les Amis – Le Chariot.
In French.
Caustic Comedy Night gathers four stand-up comedians from Switzerland, France and Belgium in a tight, high-energy evening of observational and satirical humour. The show alternates rising talents and seasoned performers, combining sharp social commentary, playful anecdotes and improvised exchanges. Minimal staging keeps the focus on timing and delivery, creating an intimate atmosphere where rhythm and punchlines drive the experience. The programme favours quick, varied sets that sustain momentum and surprise.
In French.
Singer-songwriter Matilde offers an intimate acoustic set anchored by guitar and voice, blending pop covers with original compositions. Sparse arrangements and warm, hushed vocals reveal lyrical intimacy, where melody and subtle dynamics shape moments of yearning and calm. The performance favours close listening, evoking twilight by the water with gentle rhythms and fragile harmonies that create a reflective, sunlit mood.
In French.
REQUIEM POUR DU POGNON is a musical comedy that unfolds as a blackly comic inheritance farce. After the death of wealthy entrepreneur Marcel, a large, fractious family gathers to read the will: a humiliated widow, a lovesick secretary, an avaricious mistress, a dull son, neurotic daughters and grasping cousins. Songs, ensemble numbers and moments of karaoke expose secrets, rivalries and petty betrayals, shifting between biting satire and tender absurdity while the stage pulses with chaotic, carnival-like energy.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
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