Fronted by Gaby Zavaglio and Claude Zavaglio, Blues Power channels raw blues and wide-open blues-rock textures. With a revamped lineup featuring a promising young guitarist and a steady new drummer, the band blends original songs tinged with a 1970s warmth and deft covers of JJ Cale, Eric Clapton, Tom Petty and ZZ Top. Stefano Aiello on guitar and Fernando Cardoso on bass anchor grooves that alternate between gritty swing and soulful, spacious passages, creating a warm, electric atmosphere.
Written and directed by Raphaëlle Farman, this musical comedy follows six eccentric lottery winners whose most improbable dreams suddenly come within reach. With the charismatic show host Macha and the scheming production director Florence, the ensemble embarks on escapades that leap from Arthurian chivalry to the surface of the moon. A troupe of spirited performers animates comic tableaux, while playful staging, brisk choreography and bursts of onstage magic create an exuberant, nostalgic atmosphere that celebrates imagination and folly.
In French.
Growing out of adolescence and defending their childhood forest: Blaireau Dégâts narrates his fight with energy, humor, and emotion. Joined by his sister Cléo, a fashion influencer, they strive against the system to save their forest. This dynamic performance on ecology, family, and youth activism is presented by La Compagnie dans l’Arbre, known for blending contemporary writing with visual theater to provide an immersive and poetic experience.
In French.
Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.
It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.
In French.
Les Schubertiades de Thônex presents a compact festival of chamber music centred on Schubert and the Romantic repertoire. Across several evenings and family programming it juxtaposes intimate recital formats, thematic programmes exploring heritage and lyricism, and a gala concert that unites artists in a celebratory finale. The festival balances reflective, poetic moments with lively, accessible performances designed for both seasoned listeners and families, offering framed musical narratives and carefully curated instrumental colour.
An evening of contemporary stand-up, My Comedy Hall presents a program of sharp observational humor and character-driven sketches. The show favours intimate staging and focused lighting, creating a warm, immediate connection between performers and audience. Expect a lively mix of satirical wit, personal storytelling and playful improvisation that explores everyday absurdities with intelligence and heart. Minimal scenic elements and precise timing highlight the rhythms of each routine, inviting sustained laughter and thoughtful reflection.
Danyèl Waro is a seminal voice of Maloya from Réunion, blending raw percussion, creole poetry and demanding political urgency. A poet-musician and craftsman, he performs on self-made instruments—kayams, roulérs and pikérs—channeling ancestral rhythms into powerful calls for social memory, resistance and cultural preservation. His concerts unfold in intense, communal energy: trance-like grooves, penetrating vocal declarations and spare, organic arrangements that move between lament and defiant hope.
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